The dramatic structure of this script is flawless, and it moves forward with a rush of intensity and intelligence that leaves audiences riveted. Packed with humanity, humor, and smarts, "Class C" is a perfect choice for any theater committed to producing new plays that resonate long after the final performance.

A dystopian reality that feels disconcertingly close to our own, with finely drawn characters and a plot that kept my pulse rate up from beginning to end. I can't stop thinking about this play, and can see the set when I close my eyes. Truly, truly, a riveting piece.

This play is the most effective use of dystopia I have read for the stage. Martin introduces what at first feels like a familiar hypothesis for (fascist near-future USA a la Handmaid's Tale) and then continues to expand it in all directions, giving it a new spin. The play is wryly funny at times but largely manages to keep you at the edge of your seat with constant distrust and tension.