I never asked for a gofundme

by Jayne Deely

Millie is back home in Mobile, AL for a prestigious fellowship she couldn’t pass up. Her east coast born and raised Puerto Rican partner, Avery, is recovering from gender affirming top surgery. When quasi-aunt to Millie and righteous woman of God Teresa overhears Millie talking to the pharmacist at CVS, she assumes Avery has breast cancer and puts events in motion that turn everyone’s lives upside down: cue the...

Millie is back home in Mobile, AL for a prestigious fellowship she couldn’t pass up. Her east coast born and raised Puerto Rican partner, Avery, is recovering from gender affirming top surgery. When quasi-aunt to Millie and righteous woman of God Teresa overhears Millie talking to the pharmacist at CVS, she assumes Avery has breast cancer and puts events in motion that turn everyone’s lives upside down: cue the casseroles, care packages, and checkbooks – a gofundme to SAVE AVERY! "I never asked for a gofundme" is a new queer comedy about gender, family, and religion that asks what it means to be worthy of care.

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I never asked for a gofundme

Recommended by

  • David Davila: I never asked for a gofundme

    Jayne Deely has crafted a high-anxiety queer-comedy ride through contemporary-Christian Alabama! This play is wonderfully funny, political, satirical, yet filled with love at every turn of the page! I highly recommend it to any theatre - I mean... there's a casserole dream ballet... what else is there to say?

    Jayne Deely has crafted a high-anxiety queer-comedy ride through contemporary-Christian Alabama! This play is wonderfully funny, political, satirical, yet filled with love at every turn of the page! I highly recommend it to any theatre - I mean... there's a casserole dream ballet... what else is there to say?

  • Shaun Leisher: I never asked for a gofundme

    Loved this play about the harm religion can do and the ways people need community. Loved the magical moments in this play. Loved how absurd it got. A play about the Deep South that gives us characters that are much more than caricatures.

    Loved this play about the harm religion can do and the ways people need community. Loved the magical moments in this play. Loved how absurd it got. A play about the Deep South that gives us characters that are much more than caricatures.

Character Information

In the vein of Larissa Fasthorse's "Thanksgiving Play," white passing BIPOC actors should be encouraged to audition for all roles identified as 'white.'
  • Millie
    (she/her) Female, white, early 30's, PhD student in a relationship with Avery. Southern and raised Baptist. The black sleep of her family.
    Character Age
    Early 30's
    Character Race/Ethnic Identity
    White
    Character Gender Identity
    Cis Woman (She/Her)
  • Avery
    (they/them) - AFAB trans nonbinary early 30's, puerto rican, east coast raised, recently had top surgery.
    Character Age
    Early 30's
    Character Race/Ethnic Identity
    Latine
    Character Gender Identity
    Trans nonbinary (they/them)
  • Teresa
    (she/her) - Female, white, 50's/early 60's, Southern, Christian and VERY involved in the church, best friend of Kim.
    Character Age
    50's/early 60's
    Character Race/Ethnic Identity
    White
    Character Gender Identity
    Woman (She/Her)
  • Kim
    (she/her) - Female, white, 50's/early 60's, Millie's mom, Southern, Christian.
    Character Age
    50's/early 60's
    Character Race/Ethnic Identity
    White
    Character Gender Identity
    Woman (She/Her)
  • The Coven
    (she/her, they/them) - genderqueer. a mildly blundering guardian angel/greek chorus/queer ancestor of sorts who pops up in (often unsuccessful) attempts to help Avery and Millie navigate the chaos. Plays the PHARMACIST (ALEX), FRANCINE, SERVER, DOLLY PARTON, NUN, DOCTOR, JESUS, MARJORIE TAYLOR GREENE, GODLY MUFASA VOICE, and DOORDASH (yes, in that order).
    Character Age
    any
    Character Race/Ethnic Identity
    BIPOC
    Character Gender Identity
    trans fem,
    nonbinary (she/her or they/them)