Recommendations of I Think We're Lost

  • Ian Donley: I Think We're Lost

    Peter Fenton's I THINK WE'RE LOST is a retelling of a classic tale with so much dimension for actors to explore the characters we all know and love, as well as some wonderfully constructed new ones. Fenton takes this classic story and the spins he puts on it has audiences thinking about what's at stake when we decide to grow up.

    Peter Fenton's I THINK WE'RE LOST is a retelling of a classic tale with so much dimension for actors to explore the characters we all know and love, as well as some wonderfully constructed new ones. Fenton takes this classic story and the spins he puts on it has audiences thinking about what's at stake when we decide to grow up.

  • Brigid Amos: I Think We're Lost

    This play was such a fun read! Peter Fenton spins out Neverland's secrets in a way that kept me off balance and guessing all the way through. When the hidden truth is finally revealed, we are asked to consider how resistance to taking on adult responsibilites can cripple a person rather than free them, and the wasted years of what could have been a loving relationship is heartbreaking. Yet the playwright leaves us with hope for the young college students who have stumbled into Neverland. I highly recommend this for high school production. Oh, and Tinker Bell is hilarious!

    This play was such a fun read! Peter Fenton spins out Neverland's secrets in a way that kept me off balance and guessing all the way through. When the hidden truth is finally revealed, we are asked to consider how resistance to taking on adult responsibilites can cripple a person rather than free them, and the wasted years of what could have been a loving relationship is heartbreaking. Yet the playwright leaves us with hope for the young college students who have stumbled into Neverland. I highly recommend this for high school production. Oh, and Tinker Bell is hilarious!

  • Brent Alles: I Think We're Lost

    It's hard to believe that someone could come up with a fresh take on Peter Pan, but Fenton does that here very effectively. A modern telling that still respects the history of the original work, "I Think We're Lost" finds new ground in terms of just what it means to "grow up." It's an interesting clash between the joy of childhood myths and the reality of what our advancing years and potential loss of innocence can mean to our overall world view. An intriguing read that would make for excellent stagecraft, that's for sure.

    It's hard to believe that someone could come up with a fresh take on Peter Pan, but Fenton does that here very effectively. A modern telling that still respects the history of the original work, "I Think We're Lost" finds new ground in terms of just what it means to "grow up." It's an interesting clash between the joy of childhood myths and the reality of what our advancing years and potential loss of innocence can mean to our overall world view. An intriguing read that would make for excellent stagecraft, that's for sure.

  • Morey Norkin: I Think We're Lost

    Peter Pan has captured the public’s imagination for generations. Children are drawn to the fantasy world, and adults are captivated by the thought of returning to their childhood. Peter Fenton’s marvelous new take on the familiar story focuses squarely on what it truly means to grow up. With new, engaging characters, and a fresh look at the ones we grew up with, I THINK WE’RE LOST has plenty of adventure and plenty of depth. Now it just needs to be brought to life on stage.

    Peter Pan has captured the public’s imagination for generations. Children are drawn to the fantasy world, and adults are captivated by the thought of returning to their childhood. Peter Fenton’s marvelous new take on the familiar story focuses squarely on what it truly means to grow up. With new, engaging characters, and a fresh look at the ones we grew up with, I THINK WE’RE LOST has plenty of adventure and plenty of depth. Now it just needs to be brought to life on stage.

  • Philip Middleton Williams: I Think We're Lost

    For those of us of a certain age who recall the J.M. Barrie stories of Peter Pan via Disney and Mary Martin on grainy black-and-white TV, this 21st century take on the characters and plots is a marked and surprisingly adept escalation of the imagination of little lost boys and their dreams of high-sea adventures. The conflicts of Peter and Captain Hook go beyond Neverland and into a far scarier and deadly realm: real life and the dreadful truth that we spend our adulthood trying repair the damage of growing up. Even so, it is uplifting and hopeful.

    For those of us of a certain age who recall the J.M. Barrie stories of Peter Pan via Disney and Mary Martin on grainy black-and-white TV, this 21st century take on the characters and plots is a marked and surprisingly adept escalation of the imagination of little lost boys and their dreams of high-sea adventures. The conflicts of Peter and Captain Hook go beyond Neverland and into a far scarier and deadly realm: real life and the dreadful truth that we spend our adulthood trying repair the damage of growing up. Even so, it is uplifting and hopeful.

  • Darrin Friedman: I Think We're Lost

    Sometimes, you read something so different that you can find yourself screaming, "Now this is wonderful!" That is how I feel about Fenton's effort with "I think We're Lost." It's a terrific take on characters we love and shows us just how creative you can be, even with people we think we know. This is an outstanding effort. I highly recommend it.

    Sometimes, you read something so different that you can find yourself screaming, "Now this is wonderful!" That is how I feel about Fenton's effort with "I think We're Lost." It's a terrific take on characters we love and shows us just how creative you can be, even with people we think we know. This is an outstanding effort. I highly recommend it.

  • Jacquelyn Floyd-Priskorn: I Think We're Lost

    Wow! This play is epic and dark and beautiful. The unreliable narrators are aplenty in this tale, not unlike real life. The trope of "boys will be boys" and "girls are always more mature" also hits hard. But there are so many layers to this all wrapped in a familiar, fairy tale package. A wonderful piece to tackle and bear witness to.

    Wow! This play is epic and dark and beautiful. The unreliable narrators are aplenty in this tale, not unlike real life. The trope of "boys will be boys" and "girls are always more mature" also hits hard. But there are so many layers to this all wrapped in a familiar, fairy tale package. A wonderful piece to tackle and bear witness to.

  • Christopher Soucy: I Think We're Lost

    A Neverland tour de force! All your favorites, and some fresh faces, giving the fans of Pan a welcome addition to the mythos. Peter Fenton draws us in with a clever alchemy. Mixing the familiar with the boldly original to produce a new classic. As a lifelong fan of Peter, Wendy, Tink, Smee, and Hook, I whole heartedly endorse this tale!

    A Neverland tour de force! All your favorites, and some fresh faces, giving the fans of Pan a welcome addition to the mythos. Peter Fenton draws us in with a clever alchemy. Mixing the familiar with the boldly original to produce a new classic. As a lifelong fan of Peter, Wendy, Tink, Smee, and Hook, I whole heartedly endorse this tale!

  • Donald E. Baker: I Think We're Lost

    I love it when a writer takes well-known literary characters, keeps them in their accustomed milieu, but totally reimagines their personalities and their relationships. Fenton does that here with the familiar denizens of Neverland, supplemented with a couple of new people of his own devising. The result is a grittier Neverland than Barrie could ever have imagined, and some of the characters we have always loved turn out to be not so lovable. This is super work, forcing us to re-think our previous impressions of Peter, Wendy, Hook, and, especially, Tinker Bell.

    I love it when a writer takes well-known literary characters, keeps them in their accustomed milieu, but totally reimagines their personalities and their relationships. Fenton does that here with the familiar denizens of Neverland, supplemented with a couple of new people of his own devising. The result is a grittier Neverland than Barrie could ever have imagined, and some of the characters we have always loved turn out to be not so lovable. This is super work, forcing us to re-think our previous impressions of Peter, Wendy, Hook, and, especially, Tinker Bell.

  • Brenton Kniess: I Think We're Lost

    Peter Fenton’s I Think We’re Lost is a whimsically creative approach to JM Barrie’s story. The world in which Fenton places his characters is so vivid and full of wonder that brings us closer to these characters and their journey. Many beautiful moments that will touch your heart. This is a unique theatrical experience that audiences will not forget!

    Peter Fenton’s I Think We’re Lost is a whimsically creative approach to JM Barrie’s story. The world in which Fenton places his characters is so vivid and full of wonder that brings us closer to these characters and their journey. Many beautiful moments that will touch your heart. This is a unique theatrical experience that audiences will not forget!