This brave, important play is going to mean so much to the many, many (too many) girls who have experienced assault on college campuses—particularly queer girls, who don't always see themselves in stories like these. The piece does a phenomenal job putting the audience in Maya's headspace using the appearance of the character Brendan - even just the sight of him crossing the stage without any lines was enough to elicit a paranoid jumpscare. Meanwhile, the play does a great job of balancing the real responses victims encounter - the good, the bad, and the ugly. Moving, inspiring work.
This brave, important play is going to mean so much to the many, many (too many) girls who have experienced assault on college campuses—particularly queer girls, who don't always see themselves in stories like these. The piece does a phenomenal job putting the audience in Maya's headspace using the appearance of the character Brendan - even just the sight of him crossing the stage without any lines was enough to elicit a paranoid jumpscare. Meanwhile, the play does a great job of balancing the real responses victims encounter - the good, the bad, and the ugly. Moving, inspiring work.