The Words of Ants

The visit of an uninvited woman changes Yan's life forever. As the last natural inheritor of a secret women’s language, Yan embarks upon a journey to preserve it from disappearance, but at what cost?

The visit of an uninvited woman changes Yan's life forever. As the last natural inheritor of a secret women’s language, Yan embarks upon a journey to preserve it from disappearance, but at what cost?

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The Words of Ants

Recommended by

  • Eli Campbell: The Words of Ants

    This play is exact and insightful while still living next to the real world. With bright, fantastic imagery and dreamscapes, we're still unable to escape empathizing with every single character in this play. Xiaoyan lets you settle into an opinion for only a second before changing your perspective. It's brilliant.

    This play is exact and insightful while still living next to the real world. With bright, fantastic imagery and dreamscapes, we're still unable to escape empathizing with every single character in this play. Xiaoyan lets you settle into an opinion for only a second before changing your perspective. It's brilliant.

  • Nick Malakhow: The Words of Ants

    This play is full of beautifully rendered characters with urgent needs, wants, and friction with one another and forces larger than themselves/each other. I appreciated the intimate/epic scope of it; such huge themes related to the inheritance and ownership of culture, gender roles in society, and generational conflict and legacy are explored through characters painted with gentle and hyper-specific brushstrokes. This is true in form, as well--realism mingles with big, exciting theatricality.

    This play is full of beautifully rendered characters with urgent needs, wants, and friction with one another and forces larger than themselves/each other. I appreciated the intimate/epic scope of it; such huge themes related to the inheritance and ownership of culture, gender roles in society, and generational conflict and legacy are explored through characters painted with gentle and hyper-specific brushstrokes. This is true in form, as well--realism mingles with big, exciting theatricality.

  • Benjamin Benne: The Words of Ants

    This play truly took my breath away. It has a slow burn pace that gently pulled me into the world of its characters. And, as the play opens up, spanning time and space and imagistic vocabularies -- while consistently asking difficult questions about privacy, ownership, and preservation as it pertains to language and culture -- it concludes with a final scene that really snuck up on me and delivered one of the most emotional experiences I've had at a play reading. Gorgeous and heartbreaking.

    This play truly took my breath away. It has a slow burn pace that gently pulled me into the world of its characters. And, as the play opens up, spanning time and space and imagistic vocabularies -- while consistently asking difficult questions about privacy, ownership, and preservation as it pertains to language and culture -- it concludes with a final scene that really snuck up on me and delivered one of the most emotional experiences I've had at a play reading. Gorgeous and heartbreaking.

View all 6 recommendations

Character Information

  • Yan
    a peasant, in her 50s for most of the play
    Character Age
    50s - 80s
    Character Race/Ethnic Identity
    Asian -- Chinese
    Character Gender Identity
    Female
  • Ouyang
    A linguistics professor
    Character Age
    50s
    Character Race/Ethnic Identity
    Asian -- Chinese
    Character Gender Identity
    Female
  • Ling Ling
    Yan's granddaughter, should be played by an adult actor.
    Character Age
    10
    Character Gender Identity
    Female
  • Meiye
    a teacher in a rural county, in her 30s for most of the play
    Character Age
    30s
    Character Race/Ethnic Identity
    Asian -- Chinese
    Character Gender Identity
    Female
  • Han
    Yan's husband
    Character Age
    50s
    Character Gender Identity
    Male
  • Patient A / Student
    Can be played by the same actor who plays Ling Ling.
    Character Gender Identity
    Female
  • Villager (Act One) / Villager C (Act Three)
    Can be played by the same actor who plays Han.
    Character Gender Identity
    Male
  • Patient B / Villager A
    Can be played by the same actor who plays Ouyang.
    Character Gender Identity
    Female
  • Villager B
    Can be played by the same actor who plays Meiye.

Development History

  • Type Reading, Organization Alliance Theatre/Kendeda Week, Year 2026
  • Type Reading, Organization Great Plains Theater Commons, Year 2025
  • Type Reading, Organization Iowa New Play Festival, Year 2024

Production History

  • Type Workshop, Organization Iowa New Play Festival, Year 2025

Awards

  • Alliance/Kendeda National Graduate Playwriting Competition
    Finalist
  • Jane Chambers Award
    Runner Up
    2024