The Concierge

by Brent Alles

(10-minute play.) A women finds herself in a strange posh hotel staffed by a concierge. Is he helpful? Harmful? All will be revealed as the woman confronts her past, present, and possible future.

(10-minute play.) A women finds herself in a strange posh hotel staffed by a concierge. Is he helpful? Harmful? All will be revealed as the woman confronts her past, present, and possible future.

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The Concierge

Recommended by

  • James Perry: The Concierge

    A mysterious concierge at an ethereal hotel symbolizing the existential struggle between life and death. Despite its brevity, this play packs in a lot of depth and emotion, exploring themes of memory, loss, and the tenuous boundary between the past and present.

    A mysterious concierge at an ethereal hotel symbolizing the existential struggle between life and death. Despite its brevity, this play packs in a lot of depth and emotion, exploring themes of memory, loss, and the tenuous boundary between the past and present.

  • Debra A. Cole: The Concierge

    Powerful and thought provoking, BRENT ALLES has written a short play that will have audiences talking on the way home. Those who have lost will connect with the haunting voices heard as the scene progresses.

    Powerful and thought provoking, BRENT ALLES has written a short play that will have audiences talking on the way home. Those who have lost will connect with the haunting voices heard as the scene progresses.

  • Alaina Tennant: The Concierge

    The best short plays are the ones that can leave the audience member or reader making discoveries about the characters, events, and setting long after the curtain closes. Brent Allles' use of dialogue reminds me of Alice in Wonderland, which is a great connection to draw when you realize the young woman's circumstances. This play does an excellent job of leaving us curious - and wanting more.

    The best short plays are the ones that can leave the audience member or reader making discoveries about the characters, events, and setting long after the curtain closes. Brent Allles' use of dialogue reminds me of Alice in Wonderland, which is a great connection to draw when you realize the young woman's circumstances. This play does an excellent job of leaving us curious - and wanting more.

View all 7 recommendations

Character Information

  • SIMMONS, THE CONCIERGE
    Character Age
    Adult (written as 40's in the play but any age can do)
    Character Race/Ethnic Identity
    Any Race/Ethnicity
    Character Gender Identity
    (assigned male at birth - not plot relevant) - flexible
  • YOUNG WOMAN
    Character Age
    20's or 30's
    Character Race/Ethnic Identity
    Any Race/Ethnicity
    Character Gender Identity
    (assigned female at birth - not plot relevant) Female
  • BETH, A CHILD
    It is permissible to have an older actor play the child part in a “childlike” fashion if necessary.
    Character Age
    Child
    Character Race/Ethnic Identity
    Any Race/Ethnicity
    Character Gender Identity
    (assigned female at birth - not plot relevant) - flexible
  • OTHER WOMAN
    Character Age
    30's or 40's (any age will work, however)
    Character Race/Ethnic Identity
    Any Race/Ethnicity
    Character Gender Identity
    (assigned female at birth - not plot relevant) - flexible

Production History

  • Type Community Theater, Organization FMCT Playhouse, Year 2024

Awards

  • FMCT Playwriting Festival
    Fargo/Moorhead Community Theatre
    Finalist
    2024