I love storytelling as a dramatic action -- see Conor MacPherson's The Weir -- and its virtues are on beautiful display here. A good ghost story is its own reward, of course, but a smart dramatist understands that that's not enough -- there has to be a reason the teller is relating the story, and something they're trying to achieve by doing so. Jeffrey James Keyes is in fact a smart dramatist, so this seemingly casual stem-winding exercise proves to be something far more purposeful than it first appears. A little spooky, a lot humane, Southies is a cozy-creepy pleasure.
I love storytelling as a dramatic action -- see Conor MacPherson's The Weir -- and its virtues are on beautiful display here. A good ghost story is its own reward, of course, but a smart dramatist understands that that's not enough -- there has to be a reason the teller is relating the story, and something they're trying to achieve by doing so. Jeffrey James Keyes is in fact a smart dramatist, so this seemingly casual stem-winding exercise proves to be something far more purposeful than it first appears. A little spooky, a lot humane, Southies is a cozy-creepy pleasure.