ALL THE WOMEN I LOVE HAVE DIED

by Luis Roberto Herrera

In the midst of grieving, Nadi and Valeria find comfort in the company of a stranger, each other. As the time goes by, truths are revealed and the pasts that haunt them come to light.
In the end, Grief haunts us all in one way or another.

In the midst of grieving, Nadi and Valeria find comfort in the company of a stranger, each other. As the time goes by, truths are revealed and the pasts that haunt them come to light.
In the end, Grief haunts us all in one way or another.

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ALL THE WOMEN I LOVE HAVE DIED

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  • Gretchen Suarez-Pena: ALL THE WOMEN I LOVE HAVE DIED by Luis Roberto Herrera
    “

    This piece is mesmerizing. Yes, this piece is horror in genre for its evocative and theatrical storytelling, but it's so much more. It's a heartfelt look at grief and the complexity of relationships. The very act of consuming our grief and how our loved ones are part of us is shown in such a way that you are horrified wonderfully. You won't be able to look away. Bravo.

    This piece is mesmerizing. Yes, this piece is horror in genre for its evocative and theatrical storytelling, but it's so much more. It's a heartfelt look at grief and the complexity of relationships. The very act of consuming our grief and how our loved ones are part of us is shown in such a way that you are horrified wonderfully. You won't be able to look away. Bravo.

    ”
AUNT TANIA – (Tuh-nee-uh) early to mid-forties, Chinese American
NILSA – late twenties to early thirties, POC
TATA MARU – grandmother, late 70’s, Colombian
TITI LUCIA – aunt, mid-50’s, Colombian
VALERIA – early to mid 30’s, Latine, confident, sure of herself and closed off in a way
NADI – (Nah – dee) mid-thirties, constantly judging her own decisions, POC