Recommendations of B.E.A.U.T.Y.

  • V.B. Rankin: B.E.A.U.T.Y.

    A female forward post-singularity genesis story with a dramatic good vs. evil imbroglio. I can't wait to see it staged! Bravo!

    A female forward post-singularity genesis story with a dramatic good vs. evil imbroglio. I can't wait to see it staged! Bravo!

  • James Perry: B.E.A.U.T.Y.

    B.E.A.U.T.Y. is an artificial life form created to preserve the uniquely human concept of beauty in a post-apocalyptic world. Following the death of her creator, B.E.A.U.T.Y. embarks on a harrowing journey through a hellish landscape known as the wasteland. This cleverly crafted piece by Brent Alles, has been written explicitly for the stage, and contains a surprisingly substantial amount of humanity despite its dystopian setting. This play would be relatively easy to produce and could provide a distinctive opportunity for designers interested in science fiction.

    B.E.A.U.T.Y. is an artificial life form created to preserve the uniquely human concept of beauty in a post-apocalyptic world. Following the death of her creator, B.E.A.U.T.Y. embarks on a harrowing journey through a hellish landscape known as the wasteland. This cleverly crafted piece by Brent Alles, has been written explicitly for the stage, and contains a surprisingly substantial amount of humanity despite its dystopian setting. This play would be relatively easy to produce and could provide a distinctive opportunity for designers interested in science fiction.

  • Greg Mandryk: B.E.A.U.T.Y.

    I'm always happy to see sci-fi brought to the stage and B.E.A.U.T.Y by Brent Alles is a gem. Featuring a newborn android, separated from her creator and trying to find her way in a harsh, new world, this feels like a robo-retelling of the Book of Genesis. If you're putting together an evening of sci-fi one-acts and have a costume designer who's looking for a chance to flex their skills, this should definitely be on your radar.

    I'm always happy to see sci-fi brought to the stage and B.E.A.U.T.Y by Brent Alles is a gem. Featuring a newborn android, separated from her creator and trying to find her way in a harsh, new world, this feels like a robo-retelling of the Book of Genesis. If you're putting together an evening of sci-fi one-acts and have a costume designer who's looking for a chance to flex their skills, this should definitely be on your radar.

  • Marshall Logan Gibbs: B.E.A.U.T.Y.

    A science fiction folktale?! Just brilliant! For a play about artificially intelligent robots, this one act sure has a lot of humanity at its heart. Special shout out to Ever Ready- who may just be my favorite robot in all theatre canon. Well done!

    A science fiction folktale?! Just brilliant! For a play about artificially intelligent robots, this one act sure has a lot of humanity at its heart. Special shout out to Ever Ready- who may just be my favorite robot in all theatre canon. Well done!

  • Ken Love: B.E.A.U.T.Y.

    A lovely, absorbing end of days parable that deals head on with the well-worn theme of good verses evil in a fresh, engaging way. And I am amazed that Mr. Alles was able to endow each of the "robots" (if you will) with such nuanced character. As well as with humor. And ablomb. Nicely done!

    A lovely, absorbing end of days parable that deals head on with the well-worn theme of good verses evil in a fresh, engaging way. And I am amazed that Mr. Alles was able to endow each of the "robots" (if you will) with such nuanced character. As well as with humor. And ablomb. Nicely done!

  • Jacquelyn Floyd-Priskorn: B.E.A.U.T.Y.

    This is a folktale/faerie tale masquerading as a sci-fi play. A classic morality play performed by robots. And audiences will be super engaged in the well-being of the child. I know I want to know what happens after THE END! This feels like the beginning of a popular series!

    This is a folktale/faerie tale masquerading as a sci-fi play. A classic morality play performed by robots. And audiences will be super engaged in the well-being of the child. I know I want to know what happens after THE END! This feels like the beginning of a popular series!

  • Anastasia Wild: B.E.A.U.T.Y.

    Brent Alles engages the audience in philosophical topics through a beautiful and poetic exploration of humanity in an end-of-the-world setting. Fans of science fiction are sure to appreciate the well crafted environment along with the excellent individualized voices of the AI characters.

    Brent Alles engages the audience in philosophical topics through a beautiful and poetic exploration of humanity in an end-of-the-world setting. Fans of science fiction are sure to appreciate the well crafted environment along with the excellent individualized voices of the AI characters.

  • Mike Byham: B.E.A.U.T.Y.

    B.E.A.U.T.Y. is a very interesting and thought-provoking one-act regarding the future of AI in a possible apocalyptic scenario. Brent Alles effectively uses a setting that evokes an expectation of a gentle and humorous romp with a couple of cute robots. He then turns the tables on us to have a serious moment or two. Surprisingly emotional and very well done.

    B.E.A.U.T.Y. is a very interesting and thought-provoking one-act regarding the future of AI in a possible apocalyptic scenario. Brent Alles effectively uses a setting that evokes an expectation of a gentle and humorous romp with a couple of cute robots. He then turns the tables on us to have a serious moment or two. Surprisingly emotional and very well done.

  • Wendy Vogel: B.E.A.U.T.Y.

    A surprisingly deep One Act play--we think we're in for post-apocalyptic cartoony fun, but things quickly take a serious turn at the midpoint reveal. This show will leave audiences thinking about what makes us human, in our ugliest and our most beautiful.

    A surprisingly deep One Act play--we think we're in for post-apocalyptic cartoony fun, but things quickly take a serious turn at the midpoint reveal. This show will leave audiences thinking about what makes us human, in our ugliest and our most beautiful.