Recommendations of The Last of Jack (One Act)

  • H. Avery: The Last of Jack (One Act)

    With the death of third spaces and the gay bar being the only tried and true place to find queer community, there is some very rich commentary about battling addiction, navigating queer relationships, aging, masculinity, and making friends- and it is all masterfully done. The characters are somewhat petty and very sweet, and ultimately very dear. A beautiful play.

    With the death of third spaces and the gay bar being the only tried and true place to find queer community, there is some very rich commentary about battling addiction, navigating queer relationships, aging, masculinity, and making friends- and it is all masterfully done. The characters are somewhat petty and very sweet, and ultimately very dear. A beautiful play.

  • John Busser: The Last of Jack (One Act)

    Well, that was satisfying! Paul Donnelly's character piece hooked me from the start and didn't let go. I was utterly charmed by this slowly developing friendship. It wasn't flashy or filled with world-shattering revelations. No, it had something much more relatable. Two men, finding their way through the darkness of old age and loneliness manage to pass each other and establish a small connection. One that builds throughout the play. And the audience gets to take the journey with them. Solid writing and characters to root for. What more can you ask?

    Well, that was satisfying! Paul Donnelly's character piece hooked me from the start and didn't let go. I was utterly charmed by this slowly developing friendship. It wasn't flashy or filled with world-shattering revelations. No, it had something much more relatable. Two men, finding their way through the darkness of old age and loneliness manage to pass each other and establish a small connection. One that builds throughout the play. And the audience gets to take the journey with them. Solid writing and characters to root for. What more can you ask?

  • Ryan Vaughan: The Last of Jack (One Act)

    The first word that comes to mind is "real." This piece takes the time to pour into the development of a real relationship. As opposed to setting it up quickly so you have it for the rest of the play. This play is so relatable because these men move at the pace needed to set up a truly caring relationship. And the pace allows the audience and reader time to truly get to know, love, and care about these characters. This piece is a masterclass in character development. So well done.

    The first word that comes to mind is "real." This piece takes the time to pour into the development of a real relationship. As opposed to setting it up quickly so you have it for the rest of the play. This play is so relatable because these men move at the pace needed to set up a truly caring relationship. And the pace allows the audience and reader time to truly get to know, love, and care about these characters. This piece is a masterclass in character development. So well done.

  • Morey Norkin: The Last of Jack (One Act)

    Timing in life and in theater can be everything, and Paul Donnelly demonstrates this to perfection in THE LAST OF JACK. Perhaps if Don and Mick had met at a different time under different circumstances, their stories might have changed. Through their early chance encounters, Donnelly allows their relationship, or lack of one, to develop at a deliberate pace. We truly get to know these two men and the obstacles they face. Much as we may want the perfect happy ending, Donnelly provides something more believable and still satisfying. A beautiful story of aging, loneliness, and the search for...

    Timing in life and in theater can be everything, and Paul Donnelly demonstrates this to perfection in THE LAST OF JACK. Perhaps if Don and Mick had met at a different time under different circumstances, their stories might have changed. Through their early chance encounters, Donnelly allows their relationship, or lack of one, to develop at a deliberate pace. We truly get to know these two men and the obstacles they face. Much as we may want the perfect happy ending, Donnelly provides something more believable and still satisfying. A beautiful story of aging, loneliness, and the search for connection.

  • Eric Pfeffinger: The Last of Jack (One Act)

    Not so much slice-of-life as a series of slices; lay them end to end with all their fleeting slights and pleasantries, and before you know it you're watching a nuanced portrait of life in all its fullness.

    Not so much slice-of-life as a series of slices; lay them end to end with all their fleeting slights and pleasantries, and before you know it you're watching a nuanced portrait of life in all its fullness.

  • Tom Erb: The Last of Jack (One Act)

    Paul Donnelly's 'The Last of Jack' is a exploration of human connection. With relateable dialogue and rich characters that capture the complexities of aging, identity, and companionship. The play's intimate setting serves as a powerful backdrop for the unfolding drama, ensuring the audience is deeply invested in the character's journey. The narrative that resonates with authenticity and emotional depth, it showcases Donnelly's skill as a playwright.

    Paul Donnelly's 'The Last of Jack' is a exploration of human connection. With relateable dialogue and rich characters that capture the complexities of aging, identity, and companionship. The play's intimate setting serves as a powerful backdrop for the unfolding drama, ensuring the audience is deeply invested in the character's journey. The narrative that resonates with authenticity and emotional depth, it showcases Donnelly's skill as a playwright.