We'd Rather Know If You Weren't Coming Back

In a seaside town called Crichton-by-the-Sea, a young Autistic woman named Tina becomes a tour guide for Crichton-by-the-Sea Ghost Tours, run by Ethel. Along with her fellow tour guides (horror writer Vlad and the grieving Moira), she confronts the literal and metaphorical ghosts that haunt her. When a disturbingly underdiscussed string of murders (and their possibly supernatural cause) comes to light, each...

In a seaside town called Crichton-by-the-Sea, a young Autistic woman named Tina becomes a tour guide for Crichton-by-the-Sea Ghost Tours, run by Ethel. Along with her fellow tour guides (horror writer Vlad and the grieving Moira), she confronts the literal and metaphorical ghosts that haunt her. When a disturbingly underdiscussed string of murders (and their possibly supernatural cause) comes to light, each ghost tour guide is forced to reexamine their individual and collective mythologies.

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We'd Rather Know If You Weren't Coming Back

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  • Daniel Prillaman: We'd Rather Know If You Weren't Coming Back

    A fun & scary gothic horror in its own right, Osmundsen's ghost story opens up further as you gradually realize its scope. Nestled in a narrative about how we treat (and fail) neurodivergent people as a society is an exploration of how the very stories we tell might haunt us as individuals. Similarly, these ghosts are more than the customary metaphors for grief or regret, but physical antagonists, bringing personal stakes to a thrilling tale about what it means to live in this world, dead or no.

    A fun & scary gothic horror in its own right, Osmundsen's ghost story opens up further as you gradually realize its scope. Nestled in a narrative about how we treat (and fail) neurodivergent people as a society is an exploration of how the very stories we tell might haunt us as individuals. Similarly, these ghosts are more than the customary metaphors for grief or regret, but physical antagonists, bringing personal stakes to a thrilling tale about what it means to live in this world, dead or no.

  • Sam Heyman: We'd Rather Know If You Weren't Coming Back

    In We'd Rather Know If You Weren't Coming back, Dave Osmundsen writes a compelling and thematically rich companion piece to his brilliant The Wonderful Out There. Osmundsen has much to say about the role of a storyteller and how stories can be shaped by those who tell them as much as their subject matter. Nuanced representation of grief, queerness, and neurodiversity define this promising script. Haunting and healing.

    In We'd Rather Know If You Weren't Coming back, Dave Osmundsen writes a compelling and thematically rich companion piece to his brilliant The Wonderful Out There. Osmundsen has much to say about the role of a storyteller and how stories can be shaped by those who tell them as much as their subject matter. Nuanced representation of grief, queerness, and neurodiversity define this promising script. Haunting and healing.

  • Danielle Wirsansky: We'd Rather Know If You Weren't Coming Back

    We'd Rather Know If You Weren't Coming Back masterfully blends mystery, history, and supernatural suspense. Osmundsen crafts a tender, emotionally charged narrative where personal and literal ghosts collide. A hauntingly beautiful story about facing fears and finding redemption.

    We'd Rather Know If You Weren't Coming Back masterfully blends mystery, history, and supernatural suspense. Osmundsen crafts a tender, emotionally charged narrative where personal and literal ghosts collide. A hauntingly beautiful story about facing fears and finding redemption.

View all 5 recommendations

Development History

  • Type Reading, Organization INKubator, Art House Productions, Year 2024