A moving script - and one that may take courage on the part of a director and actors not to rush it. Because these words are so well written that experiencing their full strength - all the emotion and poignancy - will mean also letting the spaces between the characters breathe.

Lovely. As David grapples with accepting the inevitable passing of his wife who is "in-between" this life and the next, he is joined on a park bench by Agnes. "It's okay. I'm Agnes." I love the simplicity of this. The light in the darkness. The hope. And her character serves as a beautiful tool of exposition allowing us to understand David's predicament without him hardly saying a word. Bravo.

Friedman captures all the beauties and heartbreak in a life succinctly and sweetly in a scant ten minutes. Nobody escapes from an unspeakable sorrow in this life but Friedman finds light in the hardest challenge. There are times when you really need the park bench surrounded by whistling ducks and if you’re lucky, Agnes is by your side.