There are 4 principle characters, with an opportunity to have an additional ensemble of 4 that would understudy each of the principle actors and portray the other nuns in the convent throughout the script, though not required. All four characters should be ethnically latine if possible, and Ana must be BIPOC (ideally indigenous), while the other three characters can be any race. Colorism and classism comes into play a little bit in this script: the character of Ana is implied to be of indigenous origin, while the other three characters are implied to be of Spanish colonial origin in a town loosely inspired by Arequipa, Peru. While set in a specific part of the world, this play is first and foremost a universal story about love, queerness, and faith, so I leave casting to the discretion of the director. I utilized critical fabulation in the writing of this piece, so I give full permission to the director to cast this piece as they see fit without feeling the need to be strictly historically accurate.