←Recommendations of Chagutok

This play is stunning. So many great twists that I didn’t see coming—and when they did it made previous moments and conversations make so much more sense. However, I think the biggest twist is how heartwarming and sweet the ending of this piece is. Overall incredible.

I love this play; by turns eerie, funny, mysterious, and ultimately touching, Gatton’s sure hand guides his assorted mismatched characters through a gauntlet of emotional revelations that build in intensity until everything coalesces into a surprise — and surprisingly touching — denouement. A stunning work.
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Vince Gatton reaches into the darkness with precision and depth. In Chagutok, he builds a premise that seems impossible to sustain, yet every moment lands with clarity and emotional truth. The characters are vivid, their lives intersecting in ways both cosmic and deeply human. Most striking is how such a cerebral play cuts straight to the heart, sneaking up and undoing you. This fusion of intellect and emotion is rare, a powerful reminder of theater’s potential. Read this and produce it.

An eerieness that really gets under the skin, a strange spectacle that is captured not only by the Borealis-like lighting phenomenon but also by the scenario that intersects these four lives in the Arctic. A sci fi play tackling our present and past traumas, personal and national. It's impressive how Gatton did it again, just like in his stellar play BETTER, creating four compelling characters with equal stage time and emotional weight and complexity. And the surprises, I didn't seem them coming.

Chagutok is a gorgeous, atmospheric mystery -- the kind of play you read and then think about for days. Using a non-linear narrative and character journals, Gatton brilliantly creates a mirror structure where the audience is as 'unstuck' in time as the cast, and shows that grief and political turmoil are universal constants regardless of the era. It’s a haunting, lyrical meditation on how connection is the key to surviving in a perpetually broken world.

This haunting sci-fi play is both informative and entertaining. In his own way, Gatton crafts a story about how we can get lost in the past -both literally and figuratively- yet still find a way to connect to our futures. The script is full of twists and reveals that will keep any audience on their toes. The simplicity of the set design gives room for any director to make bold choices to visualize what's on the page in a multitude of ways.

How do you maintain any hope for the future, in the face of all the idiocies of our past and the sheer weight of the horrors we're dealing with in the here and now? That's the question Vince Gatton asks in CHAGUTOK, and I don't know how to even describe how he arrives at his marvelous, inspiring answer without spoiling the surprises of this jeweled puzzle-box of a play. (Maybe "Tony Kushner's hitherto unknown LOST spec script?") Read this, produce this, argue about it for hours afterwards.

After reading a decent amount of Gatton's work, I am convinced that this playwright is operating on a different frequency of creativity than most. The work never fails to rewire my brain in some glorious way. This is one of those plays that tantalizingly unfolds mysteries and answers in a way that kept me constantly engaged, and it truly defied all my expectations until the very last page. Above all, it is a rare work that carries a truly convincing message of hope for our time. A must read.

Well my goodness. What a remarkable play this is, filled with mysteries and the unknowable both within and outside of us. Getting to know Tasha, Mary Jo, Rex, and Daniel is a deep pleasure, and so is the wide-ranging journey they take, about which I will say nothing lest an inadvertent spoiler slip out. Suffice it to say Chagutok is a beautiful piece of theater that I'd love to see in three dimensions.

Seeking truth in isolation leads to metaphysical mysteries that defy explanation. Vince Gatton weaves a perfect tale of wonder and mystique. This play shines like the northern lights and should be produced far and wide.