The breadth of this one-act play is stunning. Daniel Prillaman has successfully incorporated horror, teen romance, philosophy and spirituality into a summer camp setting and it works. I love that "Kudzu" is character-based, it's about the people who are responding to the situation rather than the situation itself. It's a glimpse at humanity ... for the time being, anyway. Great stuff -- chilling, sweet, thoughtful.

Oh I LOVE a piece as creepy as this one is! That Kudzu is more than creepy, but also a study of complex young lives interweaving (or not) in a very specific milieu, is a feat of dramatic engineering and I'm truly here for it. I've rarely encountered a script that takes a chilling description of offstage action and then brings it into the physical life of the play so effectively. Hats off to Prillaman and his freaky brain that made this piece.

Absolutely brilliant. The mark of a great playwright is that even the little moments, the one off pieces of dialogue stick with you. This is uttered in the first few minutes: I think the more power you give something the more of your own you give away. Hell of a line. Hell of a show. Amazing banter, genuinely creepy atmosphere and a masterclass of tension with one hell of a payoff at the end. I want to see all Prillaman works I've ever read produced, but I REALLY want to see this one.