panned

ONE-ACT (~45 Minutes): Playwright Wayne Dennis has lured critic Barry Brant to an empty theater with one goal: make him either recant his savage review of Wayne's play or die for his convictions. What follows is a series of murder attempts so perfectly sabotaged by the universe that they might almost be staged. Meanwhile, an oblivious family wanders in convinced they're about to see a show, unaware that they are...

ONE-ACT (~45 Minutes): Playwright Wayne Dennis has lured critic Barry Brant to an empty theater with one goal: make him either recant his savage review of Wayne's play or die for his convictions. What follows is a series of murder attempts so perfectly sabotaged by the universe that they might almost be staged. Meanwhile, an oblivious family wanders in convinced they're about to see a show, unaware that they are about to become part of one instead, as the evening takes on a life of its own that neither man entirely planned. A farce about art, criticism, and the uncomfortable possibility that Wayne Dennis may be a more accomplished playwright than anyone realized — including Wayne Dennis.

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Recommended by

  • Greg Mandryk: panned

    Dan West again serves up the kind of crisp, lively dialogue actors salivate over. This time in a play that is so meta, it may just tear a black hole in the fabric of space and time. Perform at your own risk!

    Dan West again serves up the kind of crisp, lively dialogue actors salivate over. This time in a play that is so meta, it may just tear a black hole in the fabric of space and time. Perform at your own risk!

  • Morey Norkin: panned

    I’m certainly not going to risk criticizing this play now that I know some of the murderous scenarios Dan West is capable of concocting. Fortunately, there’s no need for criticism of such an offbeat hilarious take on the creative process. As much fun as this was to read, there’s so much happening in this play that really must be experienced in performance. Stage it if you dare!

    I’m certainly not going to risk criticizing this play now that I know some of the murderous scenarios Dan West is capable of concocting. Fortunately, there’s no need for criticism of such an offbeat hilarious take on the creative process. As much fun as this was to read, there’s so much happening in this play that really must be experienced in performance. Stage it if you dare!

  • Aly Kantor: panned

    A charming, action-packed, metatheatrical romp that's engaging precisely because it's so self-aware! The surprises don't come out of left field - they are telegraphed to the extreme, and yet no less surprising, because, as a reader, you can't quite believe the playwright (the actual playwright, not the character!) will commit to such silliness... and yet!! There are plenty of opportunities for theatrical magic (chainsawing a flat live on stage!?), and this piece truly utilizes the whole theatre!

    A charming, action-packed, metatheatrical romp that's engaging precisely because it's so self-aware! The surprises don't come out of left field - they are telegraphed to the extreme, and yet no less surprising, because, as a reader, you can't quite believe the playwright (the actual playwright, not the character!) will commit to such silliness... and yet!! There are plenty of opportunities for theatrical magic (chainsawing a flat live on stage!?), and this piece truly utilizes the whole theatre!

View all 10 recommendations

Character Information

  • Barry
    A theater critic for a big city newspaper.
    Character Age
    30s - 60s
    Character Gender Identity
    Male
  • Wayne
    A disgruntled playwright. Shaggy hair & scruffy/patchy beard. He has a secret.
    Character Age
    30s - 60s
    Character Gender Identity
    Male
  • Ann
    A Lady from the burbs. Conservatively fashionable, dressed for the night out on the town with her sisters. Perhaps a bit over adorned.
    Character Age
    40s - early 50s
    Character Gender Identity
    Female
  • Pam
    Ann's sister, in from out of town. Slightly younger. More of a homebody, but happy to be out.
    Character Age
    40s
    Character Gender Identity
    Female
  • Stan
    Pam's husband. Along for the ride.
    Character Age
    40s
    Character Gender Identity
    Male
  • Connie
    Ann's other sister, more than a decade younger. More cosmopolitan. Does not see eye to eye with her family.
    Character Age
    30s
    Character Gender Identity
    Female

Development History

  • Type Reading, Organization The Brick Playhouse,