Like the best clowns, this play juggles so many balls at once: gender dysmorphia, romantic perfectionism, intergenerational grief, school bullying, digital anonymity. That it lands each of these points, while establishing some of the cleanest stage language I've ever seen used to dramatize the Internet, feels like a minor miracle. Every character is a FEAST for the actors, especially Bryson. As the play itself says, "if you don't laugh, you'll cry" – a promise, a threat, a hope.
Like the best clowns, this play juggles so many balls at once: gender dysmorphia, romantic perfectionism, intergenerational grief, school bullying, digital anonymity. That it lands each of these points, while establishing some of the cleanest stage language I've ever seen used to dramatize the Internet, feels like a minor miracle. Every character is a FEAST for the actors, especially Bryson. As the play itself says, "if you don't laugh, you'll cry" – a promise, a threat, a hope.