What's more confounding than time travel, multiversal shenanigans, and predestination paradoxes? Well, the darkness of the human heart, and the pain when the worst qualities in ourselves become the thing we're most attracted to in a toxic partner. Oh, and trying to write effective poetic drama is pretty darn confounding, too. Heidi Kraay, of course, is the kind of playwright who makes confounding things seem effortless, and TRAPDOOR is a gloriously theatrical delight.
What's more confounding than time travel, multiversal shenanigans, and predestination paradoxes? Well, the darkness of the human heart, and the pain when the worst qualities in ourselves become the thing we're most attracted to in a toxic partner. Oh, and trying to write effective poetic drama is pretty darn confounding, too. Heidi Kraay, of course, is the kind of playwright who makes confounding things seem effortless, and TRAPDOOR is a gloriously theatrical delight.