An updated, social media-fueled tale of Iphigenia and her plight as the sacrificial daughter of Agamemnon. The playwright captured the tone of Euripides' epic really well and her modernized-ancient approach worked nicely for me. She totally respected the source material and seemed to have a blast playing with the form. I especially liked her Greek chorus of young, social media-obsessed women. The ‘heroic’ male characters didn’t have much in the way of redeeming qualities amongst them! Sadly, it's the same in the original Euripides play. All in all, it’s a terrific retelling of the story.
An updated, social media-fueled tale of Iphigenia and her plight as the sacrificial daughter of Agamemnon. The playwright captured the tone of Euripides' epic really well and her modernized-ancient approach worked nicely for me. She totally respected the source material and seemed to have a blast playing with the form. I especially liked her Greek chorus of young, social media-obsessed women. The ‘heroic’ male characters didn’t have much in the way of redeeming qualities amongst them! Sadly, it's the same in the original Euripides play. All in all, it’s a terrific retelling of the story.