Two adult sisters dance around the unexpressed until an unhoused man wanders into their home. But is he an uninvited guest? Or is something else at play? No one captures domestic disharmony and life lessons with as much humor and heart … and accuracy! … as the ever-talented and perceptive Marj O’Neill-Butler.

Theresa may feel like she's her sister's keeper, but like any normal human being, she has her limits. This sets up so fast and skates by on high speed dialog that it's over before you know it, and yet you've witnessed a sibling do one of the harder things to do in life--get someone you love and care about to take some responsibility for herself. This isn't a scold, though. You'll likely find yourself smiling if not laughing out loud at a scene most all of us can relate to! Great characters, easy to stage. Producers/ADs, pay attention!

One of this play's greatest strengths is its lickety-split, believable dialog. Another is how clearly these sisters are emotional opposites who see the world in two different ways. The satisfying ending shows us that it's Theresa's common-sense, get-with-it viewpoint that prevails and gets her unmotivated sister off the dime. Any actor would be happy taking on any one of these roles.