A gripping and unsettling full-length drama, Die Off blends sharp dialogue with a chilling near-future premise. Maximillian Gill crafts layered, believable characters whose camaraderie masks deeper fear and denial, as an unexplained global crisis looms. The play’s tonal balance—dark humor against existential dread—is handled with precision, building toward moments of genuine shock and emotional impact. A bold, intelligent, and deeply thought-provoking work.

An endlessly clever and cuttingly human look at working during the end of the world. What starts as a dynamic tale of four funeral singers seeking better working conditions warps into a slow-motion end of days in a really smart way. Gill balances big ideas and insightful personal moments to make a show that feels universal in its specific examination of how we have to keep showing up for work even as everything falls apart.

How do you keep living and working during a catastrophic pandemic? Four funeral singers forge a fragile pact around their (at first) unspoken grief and fear. But as they focus on pressing practical matters like income and housing, they are soon confronted with unavoidable and ultimately heartbreaking choices. DIE OFF is an exquisite meditation on how to maintain our humanity in the face of anticipatory grief.