At the time of this writing, liminal horror is all the rage. Empty or ambiguous spaces, eerily ordinary, yet somehow disconnected from normal time and space. Here, Martin uses a company break room as such a space but what he achieves is the opposite of horror. It is not without anguish or surreality. Just a kind hand reaching out of a well-lit darkness. With persistence and heart, Martin once again proves he is a master at the 60-second drama.
At the time of this writing, liminal horror is all the rage. Empty or ambiguous spaces, eerily ordinary, yet somehow disconnected from normal time and space. Here, Martin uses a company break room as such a space but what he achieves is the opposite of horror. It is not without anguish or surreality. Just a kind hand reaching out of a well-lit darkness. With persistence and heart, Martin once again proves he is a master at the 60-second drama.