The Brain Trust

(2M, 2F, 1E. One act play, approximately 15 minutes.) On what may be the last night on Earth, four scientists and a bartender gather in a nearly empty bar to reflect on the work they devoted their lives to and the ideas that ultimately failed to save the world. As they share drinks, regrets, and moments of dark humor, they confront what it means to try, to fall short, and to face the end together.

(4 person...

(2M, 2F, 1E. One act play, approximately 15 minutes.) On what may be the last night on Earth, four scientists and a bartender gather in a nearly empty bar to reflect on the work they devoted their lives to and the ideas that ultimately failed to save the world. As they share drinks, regrets, and moments of dark humor, they confront what it means to try, to fall short, and to face the end together.

(4 person version also available in "Script Sample.")

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The Brain Trust

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  • Donald Loftus: The Brain Trust

    A smart, darkly comic end-of-the-world drama, The Brain Trust balances biting wit with genuine emotional depth. Brent Alles crafts vivid, articulate characters whose scientific brilliance contrasts poignantly with their shared sense of failure. The dialogue is sharp and often hilarious, yet grounded in real stakes, building to a quietly moving meditation on effort, regret, and what it means to try in the face of the inevitable.

    A smart, darkly comic end-of-the-world drama, The Brain Trust balances biting wit with genuine emotional depth. Brent Alles crafts vivid, articulate characters whose scientific brilliance contrasts poignantly with their shared sense of failure. The dialogue is sharp and often hilarious, yet grounded in real stakes, building to a quietly moving meditation on effort, regret, and what it means to try in the face of the inevitable.

  • Neil Radtke: The Brain Trust

    This is one of those plays that sneaks up on you. Brent Alles lets it start off feeling like a low-key conversation and slowly reveals something much bigger underneath. The humor keeps it grounded, and the characters all feel distinct and real. By the end, it hits in a quiet but meaningful way.

    This is one of those plays that sneaks up on you. Brent Alles lets it start off feeling like a low-key conversation and slowly reveals something much bigger underneath. The humor keeps it grounded, and the characters all feel distinct and real. By the end, it hits in a quiet but meaningful way.

  • Marshall Logan Gibbs: The Brain Trust

    What matters most in the end? Sometimes it’s the trivial things, as Brent Alles proves in this remarkable one act. The cast may be made up of a cohort of scientists (and their bartending friend!) but this play is not clinical in the slightest. It’s filled with so much humanity. Regardless of the state of the world and our inevitable doom - it’s the humanity that gives you hope.

    What matters most in the end? Sometimes it’s the trivial things, as Brent Alles proves in this remarkable one act. The cast may be made up of a cohort of scientists (and their bartending friend!) but this play is not clinical in the slightest. It’s filled with so much humanity. Regardless of the state of the world and our inevitable doom - it’s the humanity that gives you hope.

ELLA (F), 30s–50s. Scientist.
KYLE (M), 50s–60s. Scientist.
MARJORIE (F), 40s–60s. Scientist.
STEVE (M), 30s-50s. Scientist.
BARTENDER (Any), any age.