10 minute play. Their firm has been shuttered by the authorities. They have no jobs, an uncertain future, and one of them has been recently dumped. The worst day of their lives. Until...
10 minute play. Their firm has been shuttered by the authorities. They have no jobs, an uncertain future, and one of them has been recently dumped. The worst day of their lives. Until...
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This Office is Permanently Closed
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Paul Donnelly:
This Office is Permanently Closed
by Mathew Green
“
This is a hysterical look at two men struggling to cope with their professional demise. The dialogue is crisp and funny and the characters well-defined. The final escalation of their dilemma takes the comedy to a whole other dizzying level. The whole piece is great dark fun!
This is a hysterical look at two men struggling to cope with their professional demise. The dialogue is crisp and funny and the characters well-defined. The final escalation of their dilemma takes the comedy to a whole other dizzying level. The whole piece is great dark fun!
”
Debra A. Cole:
This Office is Permanently Closed
by Mathew Green
“
80's culture abounds in this new piece THE OFFICE IS PERMANENTLY CLOSED by Mathew Green. Complicit finance bros, women as just props for men, no matter how smart they are, and fraud... all the glorious fraud. I adore a dark comedy, and Green delivers. Could things get worse for this duo? Yes. Yes, they can get worse.
80's culture abounds in this new piece THE OFFICE IS PERMANENTLY CLOSED by Mathew Green. Complicit finance bros, women as just props for men, no matter how smart they are, and fraud... all the glorious fraud. I adore a dark comedy, and Green delivers. Could things get worse for this duo? Yes. Yes, they can get worse.
”
Scott Sickles:
This Office is Permanently Closed
by Mathew Green
“
Well, that's one way to answer the Passover Question. (This is not a play about Passover.)
The more I read Matthew Green's work, the more I suspect he's pandering to me. Shamelessly!
As ever, the dialogue is breezy and natural even though the stakes are high. The characters and situations are relatable even if you're a a finance bro or whatever these dudes do. Even the less likeable one you want to have a beer with. The economy of writing is subtly dazzling... as usual.
And yet... And YET!
Standing Ovation!
Well, that's one way to answer the Passover Question. (This is not a play about Passover.)
The more I read Matthew Green's work, the more I suspect he's pandering to me. Shamelessly!
As ever, the dialogue is breezy and natural even though the stakes are high. The characters and situations are relatable even if you're a a finance bro or whatever these dudes do. Even the less likeable one you want to have a beer with. The economy of writing is subtly dazzling... as usual.
