A powerful and richly human monologue about the immigrant experience in America as one chases the dream. Well done.

Barsha is fully fearless even though she has plenty of reasons to be afraid. Yet again, Wyndham has written a monologue for a person who doesn't get written for often--an Indian woman. Barsha is brassy and loud and larger-than-life and you don't know whether you should envy her husband or feel bad for him, but she is determined and admirable. Your heart breaks for her, but you certainly don't feel bad for her. Wyndham is a master at writing monologues that are meant to be SPOKEN, not just read. His stream-of-consciousness style is incredibly fun. Another hit, well done.

This play's structure, pacing and voice dynamics create a compelling, prismatic world - where a change agent takes on myth and momentum with dignity and grace. Wyndham's language builds momentum throughout in its honest conflict - this woman feels familiar and her story all too relevant. Do we live in America - the "Dream" - or the nightmare? With human connection and a kind of writerly ease, Wyndham asks the hardest questions. Any actor would find so much to work with here! It's big, lush and cuts to the bone.