Appetizers, or "On an Island Somewhere"

by Scott Sickles

[ONE-ACT SPECULATIVE HORROR]
Alice and her husband host a farewell party of wine and hors d'oeuvres celebrating Tamara and her husband moving back to the Mainland after years on the Island. But why are they all there in the first place? When will they all be allowed to leave?
----
An evening of wine hors d'oeuvres celebrating Tamara and her husband finally moving off the Island back to the Mainland. She wants...

[ONE-ACT SPECULATIVE HORROR]
Alice and her husband host a farewell party of wine and hors d'oeuvres celebrating Tamara and her husband moving back to the Mainland after years on the Island. But why are they all there in the first place? When will they all be allowed to leave?
----
An evening of wine hors d'oeuvres celebrating Tamara and her husband finally moving off the Island back to the Mainland. She wants one last girl talk session with her BFF/hostess Alice, so she sends their hubbies – Calvin and Oliver – off to the man cave for a male bonding session of their own. Soon, they each begin to recall their experiences at Camp, a program where they learned to eradicate their desires for members of the same sex, embrace Christ, and come out with a brand new outlook and an assigned spouse. But will the emotional bonding lead to something beyond friendship. If so, what?

Approximate Running Time: 15-20 minutes

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Appetizers, or "On an Island Somewhere"

Recommended by

  • Joe Swenson: Appetizers, or "On an Island Somewhere"

    Scott shows us the potential future of our world through the lens of love, despite the tendency to want to lean towards hate and anger, the message I found in this show is that love will find a way. But in the ending, it's also a message that hate will never go away.

    Sickles shows us a world that already exists in some parts of our world and even our country through this wonderfully told story, where you must hide who you are, and have to be careful who knows the real you. Highly recommend.

    Scott shows us the potential future of our world through the lens of love, despite the tendency to want to lean towards hate and anger, the message I found in this show is that love will find a way. But in the ending, it's also a message that hate will never go away.

    Sickles shows us a world that already exists in some parts of our world and even our country through this wonderfully told story, where you must hide who you are, and have to be careful who knows the real you. Highly recommend.

  • Cole Hunter Dzubak: Appetizers, or "On an Island Somewhere"

    This piece is terrifying, tying in all the aspects that make books like 1984 so unsettling. There is always someone watching waiting for you to step out of line, and they are waiting for you to give them a reason to punish you. Scott Sickles does it again with this piece. Bravo!

    This piece is terrifying, tying in all the aspects that make books like 1984 so unsettling. There is always someone watching waiting for you to step out of line, and they are waiting for you to give them a reason to punish you. Scott Sickles does it again with this piece. Bravo!

  • Collin Smith: Appetizers, or "On an Island Somewhere"

    This is a play that feels increasingly prescient as more LGBTQ+ hate permeates American culture. A gutting dystopian play with expert precision, "Appetizers" races toward tragedy. The expository information is communicated seamlessly, tying in effortlessly with the forward motion of the plot. These 4 characters all experience a relatable internal push and pull, as the mask of heteronormativity cracks under the pressure of its own falsehood. The internal struggle of all 4 characters speaks eloquently to the experience of being told an aspect of identity is "wrong." An excellent satire of modern...

    This is a play that feels increasingly prescient as more LGBTQ+ hate permeates American culture. A gutting dystopian play with expert precision, "Appetizers" races toward tragedy. The expository information is communicated seamlessly, tying in effortlessly with the forward motion of the plot. These 4 characters all experience a relatable internal push and pull, as the mask of heteronormativity cracks under the pressure of its own falsehood. The internal struggle of all 4 characters speaks eloquently to the experience of being told an aspect of identity is "wrong." An excellent satire of modern America.

View all 11 recommendations

Production History

  • Type Fringe, Organization The Greenhouse Ensemble, Year 2020
  • Type Fringe, Organization Otherworld Theatre, Year 2017
  • Type Fringe, Organization The Greenhouse Ensemble, Year 2017

Awards

  • Science Fiction Shorts
    Playwrights' Round Table
    Semi-Finalist
    2020