Eleanor Burgess

In 18th century London, Letitia and Doricourt have been engaged since childhood, with the stipulation that if they go through with the marriage, they will jointly inherit a great estate, but
if either one calls off the wedding, the other one inherits the estate in its entirety. Now in their 21st year, both of them are determined to get the other one to call off the wedding – through deception, seduction, artifice or entrapment. Meanwhile, in 18th century London, the
playwright Hannah Cowley attempts to write a light romantic comedy about two characters named Letitia and Doricourt, while her marriage, and her relationship with the theater, fall apart.

With Yeshua dead, his disciples are determined to keep spreading his message. The only trouble is the Roman Empire might want them dead. And they don't have a leader. And they can't quite agree on what Yeshua's message was...

What if a 1950s housewife from a particularly well-known American play drove from Brooklyn to Boston to confront her husband’s mistress? Would the encounter be explosive? Or would the two women discover they have more in common than one might assume? Taking inspiration from Arthur Miller’s Death of a Salesman, this world premiere play imagines how a potentially combustible confrontation brings themes of marriage, duty and division to the surface—and the ways in which the world has, and hasn’t, changed across generations.

As winters get colder and food gets more scarce, a makeshift tribe of cavemen struggles to decide whether to remain in the land they call home, following the lifestyle of their ancestors, or to embrace new inventions and new ways of life. This play explores the lives that we evolved to lead, our relationship with nature, our place in the universe, and what relationships mean in a time of survival.

Zoe, a black student at a liberal arts college, is called into her white professor’s office to discuss her paper about slavery’s effect on the American Revolution. What begins as a polite clash in perspectives explodes into an urgent debate about race, history, and power.

On a Friday night in the Spring of 2001, four teenagers have gathered to hang out and blow off some steam. Jenn likes Ethan. Ethan likes Alli. Alli likes Stu. Stu has a girlfriend. None of them can decide which movie to watch from the pile they got at Blockbuster. Over the course of the evening, they all break each others' hearts in a million tiny ways. Ten years later, they reunite to try and do it all again.

Inspired by his girlfriend who's a public school teacher, a San Francisco programmer has an idea for a startup that will help teachers in the classroom. But as the company begins to take off, it becomes unclear whether the software will help teachers - or replace them.

When Annabel Foley refuses treatment after a stroke, her estranged daughter Helen bribes the beloved granddaughter, Madison - a semi-employed millenial musician from Brooklyn – to take on the role of caregiver. But as the experience brings Annabel and Madison closer, how will Helen compete with her own daughter for her family's love?