Elise Wien

Elise Wien is a playwright who works in the genre of tender absurdism – building worlds that reflect the cruel and chaotic nature of our own, with characters who must rely on each other to survive them.

Her plays include Osher & the Infinite Curtain (Finalist, Jewish Plays Project), OTP (Finalist, O’Neill National Playwrights Conference), OBLAST (Residency, the cell theatre), [cowboy face] (Winner, Kennedy Center Mark Twain Prize for Comic Playwriting; Finalist, Leah Ryan Fund for Emerging Women Writers), and Craters, or the making of the making of the moon landing (Production, Smith College; Reading, Corkscrew Theater Festival). She has developed plays with The Workshop Theater, Ensemble Studio Theater, The Road Theatre Company, The Tank, American Lore Theater, and the Hopkins Center for...

Elise Wien is a playwright who works in the genre of tender absurdism – building worlds that reflect the cruel and chaotic nature of our own, with characters who must rely on each other to survive them.

Her plays include Osher & the Infinite Curtain (Finalist, Jewish Plays Project), OTP (Finalist, O’Neill National Playwrights Conference), OBLAST (Residency, the cell theatre), [cowboy face] (Winner, Kennedy Center Mark Twain Prize for Comic Playwriting; Finalist, Leah Ryan Fund for Emerging Women Writers), and Craters, or the making of the making of the moon landing (Production, Smith College; Reading, Corkscrew Theater Festival). She has developed plays with The Workshop Theater, Ensemble Studio Theater, The Road Theatre Company, The Tank, American Lore Theater, and the Hopkins Center for the Arts. She is a recent graduate of Boston University’s Playwriting MFA program.

Scripts

OBLAST

by Elise Wien

Synopsis

A Birthright Data Analysis Intern gives an end-of-quarter presentation. What begins as a Powerpoint on declining enrollment and political doubt grows stranger and stranger as it turns into a tale of the Intern’s relationship. Ever since the Intern’s partner learned about Birobidzhan - the USSR's Jewish Autonomous Oblast and the world’s first (semi)autonomous Jewish state – she’s become obsessed. She digs through...

A Birthright Data Analysis Intern gives an end-of-quarter presentation. What begins as a Powerpoint on declining enrollment and political doubt grows stranger and stranger as it turns into a tale of the Intern’s relationship. Ever since the Intern’s partner learned about Birobidzhan - the USSR's Jewish Autonomous Oblast and the world’s first (semi)autonomous Jewish state – she’s become obsessed. She digs through books and online archives, and eventually travels to the remote province for a research project. But when she returns, the Intern notices some changes. She emits a constant hum, interferes with the WiFi, and is intent on convincing the Intern to send future Birthright participants to the Oblast. In this TED Talk gone awry, the Intern tests how propaganda, nation, and memory unravel when we set Israel and Birobidzhan side-by-side.

OTP

by Elise Wien

Synopsis

It’s 2015, and 15-year-old best friends Ceci and Michelle are taking the fanfiction website Archive of
Our Own by storm. Michelle, a Junior Statesman of America, wants to author The Best Obama
Fanfiction ever written. Can she read up on drone strikes, deportations, and Operation Neptune Spear
and still find time to kiss Barack in front of the Jellyfish tank at the Chicago Aquarium?

OTP is a story of political...

It’s 2015, and 15-year-old best friends Ceci and Michelle are taking the fanfiction website Archive of
Our Own by storm. Michelle, a Junior Statesman of America, wants to author The Best Obama
Fanfiction ever written. Can she read up on drone strikes, deportations, and Operation Neptune Spear
and still find time to kiss Barack in front of the Jellyfish tank at the Chicago Aquarium?

OTP is a story of political malaise, misplaced nostalgia, and what we do when we are incapable of reimagining our futures.

Osher and the Infinite Curtain

by Elise Wien

Synopsis

On his deathbed, Osher found spirit in autoplay—as he was hooked up to oxygen and lost the ability to speak, he watched hours and hours of Kabbalah YouTube. The Kabbalah of anger, forgiveness, of loss. He stopped acknowledging the presence of his daughter, Leye, and his husband, Sender. And then he died. Now, months after his passing, Leye visits the local Kabbalah Center, fueled by a desire to understand this...

On his deathbed, Osher found spirit in autoplay—as he was hooked up to oxygen and lost the ability to speak, he watched hours and hours of Kabbalah YouTube. The Kabbalah of anger, forgiveness, of loss. He stopped acknowledging the presence of his daughter, Leye, and his husband, Sender. And then he died. Now, months after his passing, Leye visits the local Kabbalah Center, fueled by a desire to understand this change in her father. We travel through time (and web servers) to witness whether Leye and Sender can grapple with the loss of a loved one turned stranger.

TUB WARZ

by Elise Wien

Synopsis

When Sam learns that her new bathroom has been the site of Tub Warz, Tampa's most famous Youtube programming, she must negotiate with Terri Topdrain to fulfill her wettest and wildezt dezirez.

When Sam learns that her new bathroom has been the site of Tub Warz, Tampa's most famous Youtube programming, she must negotiate with Terri Topdrain to fulfill her wettest and wildezt dezirez.

Wheel

by Elise Wien

Synopsis

Years ago, Mom left Dad when she fell in love with the vase he made, the one that mangled his arm in a freak pottery wheel accident.
This year, on Yom Kippur, Ko introduces Dad to their new partner - a mirror. This year, too, Mom's vase has died.
Will Dad forgive Mom and comfort her at the shiva? Will Mom grieve her partner? Will we find absolution???

About unlikely love that springs up in isolation, and the...

Years ago, Mom left Dad when she fell in love with the vase he made, the one that mangled his arm in a freak pottery wheel accident.
This year, on Yom Kippur, Ko introduces Dad to their new partner - a mirror. This year, too, Mom's vase has died.
Will Dad forgive Mom and comfort her at the shiva? Will Mom grieve her partner? Will we find absolution???

About unlikely love that springs up in isolation, and the rituals of togetherness we share over/and over/and over.

cara has a hole in her head

by Elise Wien

Synopsis

A camp for people who have survived shootings. It has all the regular camp stuff, like tie-dye and fireside sing alongs, and some of the nonregular stuff, like the terror of a guiltful existence.

A camp for people who have survived shootings. It has all the regular camp stuff, like tie-dye and fireside sing alongs, and some of the nonregular stuff, like the terror of a guiltful existence.

[cowboy face]

by Elise Wien

Synopsis

RidgeRock Tech seems like the perfect place to work: beer on tap, a flexible vacation policy, and at least 16 different employees named Matt. But when the new customer support rep Greb joins the office, they sense something dire is coming. Corinne and Kayuri are slacking off with rigor, Diane is slipping into panic, and Greb’s mentor Julie is nowhere to be found. Something is lurking in the Meditation Room.

RidgeRock Tech seems like the perfect place to work: beer on tap, a flexible vacation policy, and at least 16 different employees named Matt. But when the new customer support rep Greb joins the office, they sense something dire is coming. Corinne and Kayuri are slacking off with rigor, Diane is slipping into panic, and Greb’s mentor Julie is nowhere to be found. Something is lurking in the Meditation Room.

Craters or the making of the making of the moon landing

by Elise Wien

Synopsis

Meet the film team responsible for staging the Apollo 11 moon landing.
Or at least, partially responsible—until their lead actor Neil was whisked away at the last minute when NASA decided to go in a different direction. Now, director Sylvia and her crew are being held prisoner in a classified warehouse somewhere under Kansas, with nothing to do but make a documentary about their thwarted attempt at creating the...

Meet the film team responsible for staging the Apollo 11 moon landing.
Or at least, partially responsible—until their lead actor Neil was whisked away at the last minute when NASA decided to go in a different direction. Now, director Sylvia and her crew are being held prisoner in a classified warehouse somewhere under Kansas, with nothing to do but make a documentary about their thwarted attempt at creating the footage that would inspire the world. Craters is an exercise in fact-finding, (re)enactment, and the power of simulation.