M. Graham Smith

M. Graham Smith is a San Francisco-based Director, Educator and Producer. He is an O’Neill/NNPN National Directing Fellow, an Oregon Shakespeare Festival FAIR Fellow and a resident artist at SF’s Crowded Fire. He’s directed at HERE in New York City, and venues in San Francisco including A.C.T., Aurora Theatre, Central Works, Crowded Fire, The EXIT Theatre, PlayGround, Brava, The Playwright’s Foundation, Cutting Ball Theatre, Berkeley Playhouse, Golden Thread, SF Opera, and New Conservatory & Berkeley Rep’s Ground Floor. He directed the West Coast Premiere of JERRY SPRINGER: THE OPERA in SF with Ray of Light and TRUFFALDINO SAYS NO at Shotgun Players, winning Best Director for the Bay Area Critics Circle. Recent credits: THE LADY ONSTAGE at Profile Theatre in Portland, Oregon, THE LIAR at...

M. Graham Smith is a San Francisco-based Director, Educator and Producer. He is an O’Neill/NNPN National Directing Fellow, an Oregon Shakespeare Festival FAIR Fellow and a resident artist at SF’s Crowded Fire. He’s directed at HERE in New York City, and venues in San Francisco including A.C.T., Aurora Theatre, Central Works, Crowded Fire, The EXIT Theatre, PlayGround, Brava, The Playwright’s Foundation, Cutting Ball Theatre, Berkeley Playhouse, Golden Thread, SF Opera, and New Conservatory & Berkeley Rep’s Ground Floor. He directed the West Coast Premiere of JERRY SPRINGER: THE OPERA in SF with Ray of Light and TRUFFALDINO SAYS NO at Shotgun Players, winning Best Director for the Bay Area Critics Circle. Recent credits: THE LADY ONSTAGE at Profile Theatre in Portland, Oregon, THE LIAR at Occidental College in Los Angeles as an Edgarton Foundation Fellow, the World Premiere of Christopher Chen’s HOME INVASION in SF and DEAL WITH THE DRAGON at Edinburgh Fringe. Upcoming productions include Amy Herzog’s BELLEVILLE at Custom Made and Mia Chung’s YOU FOR ME FOR YOU at Crowded Fire. He spent the last five years as Producer of Aurora Theater’s new play development program and festival The Global Age Project, which launched Martyna Majok’s IRONBOUND, JC Lee’s LUCE, and Allison Moore’s COLLAPSE, among many others. He teaches at A.C.T.'s actor-training programs, Berkeley Rep School of Theatre and at Barcelona’s premiere Meisner Technique program in Spain.

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    This is a fascinating smart look at the problematic intersection of Scientific Advancement, Capitalism and Human Nature. Sliding between three interwoven story arcs, characters race to realize their individual dreams of perfection through DNA modification, raising ethical questions and leading to surprising outcomes. Jonathan grounds the drama in cutting edge science and keeps the audience on the edge of its seat as the characters drive Ahab-like toward catastrophy. One of the most exciting characters in the story is an heroic wheelchair-using scientist, Garry, who makes his first entrance breaking a glass ceiling and repelling into a laboratory.