Matt Henderson’s plays explore connection and isolation through an absurd and queer lens. His work has been seen throughout the U.S. as well as England, Scotland, Finland, and Canada. Some of his publicly performed plays include The Ghosts in Aisle 30 (12 Peers Theater, Fundamental Theater Project), Strutting and Fretting (Stage Right, Pittsburgh New Works Festival), Candy Likes Your Status (Theatre Westminster, Bite-Size Plays, Carnegie Screenwriters, Laugh/Riot Performing Arts Company, Hanover College Theatre), The Balancing of the Budget (Pittsburgh Playwrights Theatre Company), The Dating Game (American Repertory Theater of Western New York), Shower Heads (Organic Theater Pittsburgh, Carnegie Screenwriters), A Long Walk on the Beach (Between Us Productions, Carnegie Screenwriters...
Matt Henderson’s plays explore connection and isolation through an absurd and queer lens. His work has been seen throughout the U.S. as well as England, Scotland, Finland, and Canada. Some of his publicly performed plays include The Ghosts in Aisle 30 (12 Peers Theater, Fundamental Theater Project), Strutting and Fretting (Stage Right, Pittsburgh New Works Festival), Candy Likes Your Status (Theatre Westminster, Bite-Size Plays, Carnegie Screenwriters, Laugh/Riot Performing Arts Company, Hanover College Theatre), The Balancing of the Budget (Pittsburgh Playwrights Theatre Company), The Dating Game (American Repertory Theater of Western New York), Shower Heads (Organic Theater Pittsburgh, Carnegie Screenwriters), A Long Walk on the Beach (Between Us Productions, Carnegie Screenwriters, Stage Right), Virtual Reality Bytes (Terra Nova Theatre Group), The Roar of the Crowd (Pittsburgh Playwrights Theatre Company, Players' Guild of Hamilton), and The Most Epic Awesomest Superhero Movie Ever (In Between Theatre). His work has been published by Original Works Publishing and in Smith & Kraus's Best Ten-Minute Plays of 2014 and 2023.