Ariel Stess

Ariel Stess is an Obie Award–winning playwright, director, and screenwriter originally from Santa Fe, NM. Her play KARA & EMMA & BARBARA & MIRANDA – hailed by The New Yorker as “a superb lo-fi slow burn" with a "spectacularly precise structure” and called “dramatic portraiture of the highest order” by 2025 Pulitzer Prize winner Branden Jacobs-Jenkins – won the 2024 Obie Award for Playwriting and the 2025 Yale Drama Series Prize.

Other works include Heartbreak (The Bushwick Starr/New Georges, Time Out NY Critics’ Pick); I’m Pretty Fucked Up (Clubbed Thumb, five stars Time Out NY); The World My Mama Raised (Clubbed Thumb); and He Ate Quietly Into the Wall (The New Ohio). Her plays has been developed or produced at Playwrights Horizons, Clubbed Thumb, The Bushwick Starr, New Georges, Mabou...

Ariel Stess is an Obie Award–winning playwright, director, and screenwriter originally from Santa Fe, NM. Her play KARA & EMMA & BARBARA & MIRANDA – hailed by The New Yorker as “a superb lo-fi slow burn" with a "spectacularly precise structure” and called “dramatic portraiture of the highest order” by 2025 Pulitzer Prize winner Branden Jacobs-Jenkins – won the 2024 Obie Award for Playwriting and the 2025 Yale Drama Series Prize.

Other works include Heartbreak (The Bushwick Starr/New Georges, Time Out NY Critics’ Pick); I’m Pretty Fucked Up (Clubbed Thumb, five stars Time Out NY); The World My Mama Raised (Clubbed Thumb); and He Ate Quietly Into the Wall (The New Ohio). Her plays has been developed or produced at Playwrights Horizons, Clubbed Thumb, The Bushwick Starr, New Georges, Mabou Mines, Brave New World Rep, Rivendell Theatre, and The Lark.

Stess is currently developing two new stage pieces, a novel, and a screenplay, while KARA & EMMA & BARBARA & MIRANDA continues its national life, with a Yale Prize reading co-produced by Long Wharf Theatre (Oct 2025) and publication by Yale University Press in 2026.

Ariel is an Affiliated Artist with New Georges, a resident playwright at New Dramatists, a former Core Writer at The Playwrights’ Center, and has held residencies at Yaddo, SPACE on Ryder Farm (with Playwrights Horizons), and Mabou Mines. She’s been commissioned by Playwrights Horizons and Clubbed Thumb. She holds a BA from Bard College and an MFA in Playwriting from Brooklyn College. She currently teaches in Northwestern University’s Radio/TV/Film department and in the MFA in Writing for the Screen & Stage.

Scripts

Little Beings

by Ariel Stess

Synopsis

The week before leaving Santa Fe for college, 17-year-old Ally buses tables at the pizzeria and shuttles between two houses full of fraying adults: a mother slipping out of reach, a strict dad with a new wife – and is that a handgun on the living room floor? As flashbacks of her parents’ 1980s tennis-court romance slice into the present, Ally and her ride-or-die Amaya try to outrun old crushes, rising panic, and...

The week before leaving Santa Fe for college, 17-year-old Ally buses tables at the pizzeria and shuttles between two houses full of fraying adults: a mother slipping out of reach, a strict dad with a new wife – and is that a handgun on the living room floor? As flashbacks of her parents’ 1980s tennis-court romance slice into the present, Ally and her ride-or-die Amaya try to outrun old crushes, rising panic, and adult-size responsibilities — before they’re ready.

Little Beings is a swift, short-of-breath-is-this-panic-or-am-I-laughing comedy about inheritance, the false starts of growing up, and the way love leaves its marks on the people it binds together.

Kara & Emma & Barbara & Miranda

by Ariel Stess

Synopsis

Winner of the 2025 Yale Drama Series Prize and the 2024 Obie Award for Playwriting. A play that intertwines the lives of four women from different generations and social strata in Santa Fe, New Mexico. Kara wakes up to find her husband and children missing. Twenty-year-old Emma runs away with a married man. Barbara’s ex-lover breaks into her home in the middle of the night. And the pipes in Miranda’s house burst...

Winner of the 2025 Yale Drama Series Prize and the 2024 Obie Award for Playwriting. A play that intertwines the lives of four women from different generations and social strata in Santa Fe, New Mexico. Kara wakes up to find her husband and children missing. Twenty-year-old Emma runs away with a married man. Barbara’s ex-lover breaks into her home in the middle of the night. And the pipes in Miranda’s house burst.

Through a tapestry of internal monologues and scenes, KARA & EMMA & BARBARA & MIRANDA follows the journey of four women whose major life crises collide on Christmas Eve, leading them to accidentally help each other find a way out. An occasionally off-kilter, and deeply honest play about isolation, resilience, and the healing power of community.

I'm Pretty Fucked Up

by Ariel Stess

Synopsis

April 20, 2000. While three New Mexico teens ditch class for a weed-soaked road-trip, a security-guard's worst nightmare unfolds and forces their high school into lockdown. The play ricochets between teenage euphoria and institutional panic, weaving eight students’ and staffers’ stories into a single feverish day.

April 20, 2000. While three New Mexico teens ditch class for a weed-soaked road-trip, a security-guard's worst nightmare unfolds and forces their high school into lockdown. The play ricochets between teenage euphoria and institutional panic, weaving eight students’ and staffers’ stories into a single feverish day.

Heartbreak

by Ariel Stess

Synopsis

A retirement-age father in a half-demolished Santa Fe home is jolted when his daughter returns from Brooklyn, fresh from a break-up and desperate for advice.

A retirement-age father in a half-demolished Santa Fe home is jolted when his daughter returns from Brooklyn, fresh from a break-up and desperate for advice.