Daniel is a playwright and performer based in New York City whose plays include Dick Pix, Perfect Teeth, Nothing Beyond the Light Matters, Four and Twenty Draculas, Cleave, and Epimythium. His work has been produced and developed recently with Theaterlab, Primary Stages, Project Y Theatre, IATI Theatre, Dutch Kills Theatre, and Simple Machine Theatre. He is a recent member of the Project Y Playwrights Group and the Cimentos Play Development Program at IATI Theatre. As an ensemble member of the New York Neo-Futurists, Daniel can be seen writing and performing in The Infinite Wrench (formerly Too Much Light Makes the Baby Go Blind) at the Kraine Theatre. Other productions with the Neo-Futurists include The Great American Drama, Mute (New York Innovative Theatre Award winner) and (un)afraid...
Daniel is a playwright and performer based in New York City whose plays include Dick Pix, Perfect Teeth, Nothing Beyond the Light Matters, Four and Twenty Draculas, Cleave, and Epimythium. His work has been produced and developed recently with Theaterlab, Primary Stages, Project Y Theatre, IATI Theatre, Dutch Kills Theatre, and Simple Machine Theatre. He is a recent member of the Project Y Playwrights Group and the Cimentos Play Development Program at IATI Theatre. As an ensemble member of the New York Neo-Futurists, Daniel can be seen writing and performing in The Infinite Wrench (formerly Too Much Light Makes the Baby Go Blind) at the Kraine Theatre. Other productions with the Neo-Futurists include The Great American Drama, Mute (New York Innovative Theatre Award winner) and (un)afraid (NYIT Award nominee). Daniel is a graduate of the MFA Playwriting Program at Hunter College, where he studied with playwrights Tina Howe and Arthur Kopit and dramaturg Mark Bly. He directs regularly for the Writopia Lab Worldwide Plays Festival, showcasing the work of young playwrights.