Roy Conboy is a playwright, poet, director, and emeritus professor of Latino/Indigenous/Mixed Blood descent. For nearly 30 years he was the head of the Playwrighting Program at San Francisco State University. His most recent plays are: "A Song At Night", a poetic drama in 10 scenes; "Hue", a one-act produced onstage in SF and as a radio play by Bare Wire Theatre Company; "Sofa Sin Casa (Couch With No Home): A Crowd-Sourced Play On the Housing Crisis", created and produced at SFSU in 2016, and "In Hollow Time: A Sung/Spoken Opera on the Recession", which was developed and produced at San Francisco State in 2014. Prior to that, his play "My Tia Loca’sLife of Crime", was presented as a staged reading at Breath of Fire Latina Theater Ensemble inSanta Ana, CA, and fully produced by Guerrilla...
Roy Conboy is a playwright, poet, director, and emeritus professor of Latino/Indigenous/Mixed Blood descent. For nearly 30 years he was the head of the Playwrighting Program at San Francisco State University. His most recent plays are: "A Song At Night", a poetic drama in 10 scenes; "Hue", a one-act produced onstage in SF and as a radio play by Bare Wire Theatre Company; "Sofa Sin Casa (Couch With No Home): A Crowd-Sourced Play On the Housing Crisis", created and produced at SFSU in 2016, and "In Hollow Time: A Sung/Spoken Opera on the Recession", which was developed and produced at San Francisco State in 2014. Prior to that, his play "My Tia Loca’sLife of Crime", was presented as a staged reading at Breath of Fire Latina Theater Ensemble inSanta Ana, CA, and fully produced by Guerrilla Rep at Bindlestiff Studios in San Francisco in May 2012.
His children’s plays, "Hot Tamale/Tamale Caliente", and "El Canto delRoble/The Song of the Oak", recently finished extended tours of Central California schools through PCPA Theaterfest of Santa Maria. Other recent plays include "The Journeys of the Angels", "Tailor From Chihuahua", and his solo show "Drive My Coche", all of which were originally produced by Teatro Esperanza in San Francisco. Other plays such as "When El Cucui
Walks", and "Dancing With the Missing" have also been produced extensively.
Other production venues include the Mark Taper Forum/Taper Too, Teatro Vision of San
Jose, East Los Angeles Repertory, Teatro Latino in Minneapolis, Teatro del Pueblo in St. Paul,
The Guadalupe Cultural Arts Center in San Antonio, Teatro Milagro in Portland, and
Cucucuevez in Santa Ana. His work has also been produced at Cypress College, Mesa College,
Chabot College, Los Medanos College, Santa Ana College, and San Francisco State University.
Workshops and staged readings of his plays have been seen at the Denver Center, the Mark
Taper Forum, the Seattle Group Theatre, the Bay Area Playwrights Festival, ASK Plays, South
Coast Repertory, Latin American Theatre Artists, and Festival Latino of San Francisco.
As an educator Roy helped raise the SFSU Playwrighting Program to national prominence. He created numerous opportunities for student writers, including GreenHouse, an educational/professional partnership producing off-campus workshops of graduate studentplays; and the SFSU Fringe which annually produces multiple plays by student writers. Students from the playwrighting program have gone on to numerous honors and productions in the Bay Area and beyond, including national and international awards. His former playwrighting students include, among many others: Marcus Gardley, Peter Nachtrieb, Karen Macklin, Brian Thorstenson, Prince Gomolvilas, Trevor Allen, Garret Groenveld, Rodrigo Duarte Clark, Evelyn Pine, Elizabeth Gjelten, Claire Rice, and Nick Pappas.
Roy holds an MFA in Performance from UC Irvine, where he was one of the first Latinos to enter and graduate from the program. He was a founding member of the multicultural ensemble Cucucuevez; served as Instructor and Director of the New Plays and Players Workshop at Santa
Ana College; and as the General Manager and Casting Director of the Grove Shakespeare Festival in Garden Grove. Former students from his Orange County days include Gina Davidson of Breath of Fire, and Laurie Woolery, director for Oregon Shakespeare Festival, East/West
Players, and the New York Public Theater.