KATIE MAY’s full length plays include Abominable (PlayGround/Symmetry Theatre Company, San Francisco; The Lark Playwrights Week, NYC), Manic Pixie Dream Girl (fringeNYC, A.C.T. Costume Shop, San Francisco, commissioned by SF PlayGround), Black Sheep Gospel (Great Plains Theater Conference), A History of Freaks (Finalist David Mark Cohen Award in Playwriting), and Secrets of Gardenias (Piper Center New Play Development Fellowship). Her short play Rapunzel’s Etymology of Zero (Best of Playground Festival, Short + Sweet Sydney) was published in the Best of PlayGround Anthology, 2011, and was subsequently made into an animated short film that screened in festivals both nationally and interntationally. May has been a member of the San Francisco PlayGround Writers Pool since 2008, and a...
KATIE MAY’s full length plays include Abominable (PlayGround/Symmetry Theatre Company, San Francisco; The Lark Playwrights Week, NYC), Manic Pixie Dream Girl (fringeNYC, A.C.T. Costume Shop, San Francisco, commissioned by SF PlayGround), Black Sheep Gospel (Great Plains Theater Conference), A History of Freaks (Finalist David Mark Cohen Award in Playwriting), and Secrets of Gardenias (Piper Center New Play Development Fellowship). Her short play Rapunzel’s Etymology of Zero (Best of Playground Festival, Short + Sweet Sydney) was published in the Best of PlayGround Anthology, 2011, and was subsequently made into an animated short film that screened in festivals both nationally and interntationally. May has been a member of the San Francisco PlayGround Writers Pool since 2008, and a PlayGround Playwright in Residence since 2014. Her work has received productions in San Francisco, New York, Chicago, Arizona, Idaho, and Sydney, Australia. May is the recipient of grants and fellowships from the Virginia Piper Writing Center, National University of Singapore, Women in Film LA, and a two-time SF PlayGround E-merging Writers Award winner. She holds an MFA from Arizona State University.