Schereeya Reed

Schereeya (they/fae/he) is an intersectional artist, creator, and business person. They write to take up space, to re-indigenize, to self-liberate.

View their poetry and upcoming projects at schereeya.com

Schereeya (they/fae/he) is an intersectional artist, creator, and business person. They write to take up space, to re-indigenize, to self-liberate.

View their poetry and upcoming projects at schereeya.com

Scripts

Mama's Garden

by Schereeya Reed

Synopsis

Mama’s Garden explores love, family, relationships in two acts. Mama wrestles with living in
her husband’s shadow as her daughters navigate senior year of high school, a wedding and moving away from
home, all while dealing with an alcoholic father. When an unexpected tragedy strikes, Mama has to decide
what’s best for her family: staying meek and quiet, or taking matters into her own hands. All she wants is...

Mama’s Garden explores love, family, relationships in two acts. Mama wrestles with living in
her husband’s shadow as her daughters navigate senior year of high school, a wedding and moving away from
home, all while dealing with an alcoholic father. When an unexpected tragedy strikes, Mama has to decide
what’s best for her family: staying meek and quiet, or taking matters into her own hands. All she wants is peace
in her home, but at what cost?

First performed as a staged reading at Washington and Lee University in Lexington, VA (2017).

Ungodly

by Schereeya Reed

Synopsis

Periwinkle reviews certain memories as they wrestle with realizing their father is not who they thought he was.

Ungodly is a one-person show written for intimate performance spaces.

Periwinkle reviews certain memories as they wrestle with realizing their father is not who they thought he was.

Ungodly is a one-person show written for intimate performance spaces.

End of the Line

by Schereeya Reed

Synopsis

After years of running for the bus, Jamal learns that sometimes, it's okay to slow down, even if that means you miss it.

End of the Line should not have race-blind casting.

After years of running for the bus, Jamal learns that sometimes, it's okay to slow down, even if that means you miss it.

End of the Line should not have race-blind casting.