Nina Louise Morrison

Nina Louise Morrison is a theatre generator: playwright, director, deviser, dramaturg, actor and teacher. She loves hearing new pages of new plays out loud for the first time, brainstorming on blackboards, and creating great reckonings in small rooms.  She is a Massachusetts Cultural Council Artist Fellow, Huntington Playwriting Fellow alumnus, and winner of the 2016 Boston Project commission at SpeakEasy Stage Company.
Her most recent play The Vault, a eco-thriller about the Global Seed Vault, was developed at the Huntington Theatre’s Summer Workshop this past summer. It was originally developed in the Greenhouse Playlab, a collaboration between Flat Earth Theatre Company and the Boston Museum of Science.
Other plays, including Forever Home, Born Naked, and Google Doll, have been...

Nina Louise Morrison is a theatre generator: playwright, director, deviser, dramaturg, actor and teacher. She loves hearing new pages of new plays out loud for the first time, brainstorming on blackboards, and creating great reckonings in small rooms.  She is a Massachusetts Cultural Council Artist Fellow, Huntington Playwriting Fellow alumnus, and winner of the 2016 Boston Project commission at SpeakEasy Stage Company.
Her most recent play The Vault, a eco-thriller about the Global Seed Vault, was developed at the Huntington Theatre’s Summer Workshop this past summer. It was originally developed in the Greenhouse Playlab, a collaboration between Flat Earth Theatre Company and the Boston Museum of Science.
Other plays, including Forever Home, Born Naked, and Google Doll, have been developed by the Huntington Theatre Company, Project: Project, Fresh Ink Theatre Company, Company One, SpeakEasy Stage Company, Boston Playwrights Theatre, Rhombus, and many others. She is a Richard Rodgers Fellow, a Shubert Foundation grantee, and a semi-finalist for the National Playwrights Conference.   She is a core member of Project: Project and Rhombus.
She earned her MFA at Columbia University, and also trained at the National Theatre Institute at the Eugene O’Neill Theatre Center, the New Actors Workshop, and Oberlin College.. She is a Richard Rodgers Fellow, a Shubert Foundation grantee, and was a semi-finalist for the National Playwrights Conference in 2014.  Before moving to Boston, Nina was the Senior Program Associate at the Philadelphia Theatre Initiative at The Pew Center for Arts and Heritage.
She teaches playwriting, screenwriting, dramaturgy, theatre history, Intro to Theatre and more at University of New Hampshire, and has also taught playwriting at Grub Street and Northeastern University. She has also taught at the Vermont Young Writers Conference, Mount Ida College, and American International College.

Scripts

Never Mind (a one minute play)

by Nina Louise Morrison

Synopsis

A mom-daughter moment, missed.

A mom-daughter moment, missed.

The Greats (one minute play)

by Nina Louise Morrison

Synopsis

Three friends. One musing about how all the great artists had great peers who helped make them great...and wives...

Three friends. One musing about how all the great artists had great peers who helped make them great...and wives...

Planned Obsolescence (A One Minute Play)

by Nina Louise Morrison

Synopsis

A waltzing dancer encounters many partners who, by design, fall apart and become useless and must be thrown away. Maybe its a metaphor for online dating, or maybe it's just about cell phones, either way, it seems wasteful, short-sighted, and sad. But funny!

A waltzing dancer encounters many partners who, by design, fall apart and become useless and must be thrown away. Maybe its a metaphor for online dating, or maybe it's just about cell phones, either way, it seems wasteful, short-sighted, and sad. But funny!

Why Aren't You Laughing or The Glasses

by Nina Louise Morrison

Synopsis

Post #metoo, a woman throws out her tired old Male Gaze glasses. Is this her favorite show anymore? Was it ever her favorite show? Will her male partner be able to understand? A one-minute play.

Post #metoo, a woman throws out her tired old Male Gaze glasses. Is this her favorite show anymore? Was it ever her favorite show? Will her male partner be able to understand? A one-minute play.

The Can We Do It Duet (a one minute play)

by Nina Louise Morrison

Synopsis

A one minute play fast dance with modern gestures. A couple goes through the cycle of domestic bliss-hell-bliss.

A one minute play fast dance with modern gestures. A couple goes through the cycle of domestic bliss-hell-bliss.

The Textbook Lady (a ten minute play)

by Nina Louise Morrison

Synopsis

When Penny catches Camile checking out another woman again will it be the last straw, the first step, or something else entirely?

When Penny catches Camile checking out another woman again will it be the last straw, the first step, or something else entirely?

The Last Flap (a one minute play)

by Nina Louise Morrison

Synopsis

A one minute play about passenger pigeons and the moment they went extinct.

A one minute play about passenger pigeons and the moment they went extinct.