Holly is a 2021 first runner-up for The Jackie White Memorial National Playwriting Prize and a 2019 NYSCA/NYFA Fellow in Playwriting/Screenwriting. She completed her M.F.A. in Playwriting at Hunter College where she studied with Tina Howe. She is Playwright-in-Residence for Voices Inside/Out, a writing program for male inmates, and has been a finalist for the Sultan Padamsee Award in Mumbai, India, and the Thomas Barbour Memorial Playwrights Award.
Holly’s plays have been presented at or developed with Project Y Theatre Company, New Perspectives Theatre Company, Core Artist Ensemble, New Circle Theatre Company, The Bechdel Group, Wide-Eyed Productions, The New York International Fringe Festival, Gallery Players, The Last Frontier Theatre Conference, 52nd Street Project, and more.
Recent...
Holly is a 2021 first runner-up for The Jackie White Memorial National Playwriting Prize and a 2019 NYSCA/NYFA Fellow in Playwriting/Screenwriting. She completed her M.F.A. in Playwriting at Hunter College where she studied with Tina Howe. She is Playwright-in-Residence for Voices Inside/Out, a writing program for male inmates, and has been a finalist for the Sultan Padamsee Award in Mumbai, India, and the Thomas Barbour Memorial Playwrights Award.
Holly’s plays have been presented at or developed with Project Y Theatre Company, New Perspectives Theatre Company, Core Artist Ensemble, New Circle Theatre Company, The Bechdel Group, Wide-Eyed Productions, The New York International Fringe Festival, Gallery Players, The Last Frontier Theatre Conference, 52nd Street Project, and more.
Recent full-length plays include LAKSHMI COUNTS HER ARMS AND LEGS (Sultan Padamsee Award Finalist), CARDINIA’S CALLING (The Bechdel Group), and TAMED, AN ADAPTATION OF TAMING OF THE SHREW, (Pioneer Playhouse).
Recent book adaptations include GUARDED and GRANTED (based on the novels of Angela Correll for Pioneer Playhouse) and HOW MISS LADY BIRD CHANGED AMERICA (based on the book by Kathi Appelt for Pollyanna Theatre Company)
Recent productions for Young Audiences include SPRITES (Ballet Austin) MYSTERY OF THE GREEN TEETH GHOST, IF WISHES WERE FISHES, TROUBLE ON THE DOUBLE, and PLAYING POSSUM (Pollyanna Theatre Company), THE BIG BOLT! (Long Island Children’s Museum), REVENGE OF THE MONSTER HANDS (52nd Street Project) and PETER & THE PIED PIPER, A NEW MUSICAL (Gallery Players)
She currently serves on the faculty of Hunter College and Fordham University where she teaches undergraduate and graduate courses in Playwriting, Creative Dramatics, Theatre for Youth, and Feature Writing.