I am a Queer Chinese Transracial Adoptee. I enjoy writing stories that focus on Queer BIPOC narratives.
I write both for Traditional Theatre and Digital Theatre. (all shows are labeled as such on my profile!)
I am primarily a set designer. However, through designing virtual works in the pandemic, I decided I want to write as well. I wanted to start telling stories that both melded Technology and writing, without compromising the characters. Quite the opposite, I want to enhance stories, by adding tech not normally used in traditional, physical productions.
((This is my Designer Bio if you are interested!))
Kelly Hayes (she/her) is a Set Designer who has found herself drawn into the world of Virtual Set Design and Zoom Theatre. She enjoys designing fully fleshed out worlds for...
I am a Queer Chinese Transracial Adoptee. I enjoy writing stories that focus on Queer BIPOC narratives.
I write both for Traditional Theatre and Digital Theatre. (all shows are labeled as such on my profile!)
I am primarily a set designer. However, through designing virtual works in the pandemic, I decided I want to write as well. I wanted to start telling stories that both melded Technology and writing, without compromising the characters. Quite the opposite, I want to enhance stories, by adding tech not normally used in traditional, physical productions.
((This is my Designer Bio if you are interested!))
Kelly Hayes (she/her) is a Set Designer who has found herself drawn into the world of Virtual Set Design and Zoom Theatre. She enjoys designing fully fleshed out worlds for characters to live in, whether it be screen or stage. Her recent virtual design of “She Kills Monsters” received Honorable Mention in “La Mama’s” Designfest. She uses technology ranging from OBS, to the Adobe Suites and the mediums of Illustration, Video design, Collage, Pixel Art, Animation and more. She is so excited to be apart of Lime Arts’ 20 By 20 Fringe designing in different capacities for “Red Hood(ie)”, “Blk Thoughts (:You Can Redo:)”, “Autopsy of a Night Bar” and “From Where We STEM”