Anita Gonzalez

Anita Gonzalez directs, devises and writes theatrical works that focus on telling women’s stories and histories. She has written works for American Opera Project, Washington National Opera, Atlanta Opera, Boston Opera Collaborative, Chicago Dramatists, The Vagrancy, Brooklyn Tavern Theatre, and Houston Grand Opera’s Songs of Houston series. Her innovative stagings of cross-cultural experiences have appeared on PBS national television and at Lincoln Center Out-of-Doors, The Working Theatre, Puerto Rican Traveling Theatre, New York Live Arts, Tribeca Performing Arts Center, and other national and international venues. Gonzalez believes the art of storytelling connects people to their cultures. Over 60,000 students have taken her massive open online courses Storytelling for Social Change and...

Anita Gonzalez directs, devises and writes theatrical works that focus on telling women’s stories and histories. She has written works for American Opera Project, Washington National Opera, Atlanta Opera, Boston Opera Collaborative, Chicago Dramatists, The Vagrancy, Brooklyn Tavern Theatre, and Houston Grand Opera’s Songs of Houston series. Her innovative stagings of cross-cultural experiences have appeared on PBS national television and at Lincoln Center Out-of-Doors, The Working Theatre, Puerto Rican Traveling Theatre, New York Live Arts, Tribeca Performing Arts Center, and other national and international venues. Gonzalez believes the art of storytelling connects people to their cultures. Over 60,000 students have taken her massive open online courses Storytelling for Social Change and Black Performance as Social Protest.
Musicals: Kumanana (Gala Hispanic Theater), Ybor City (Brooklyn Tavern Theater), Zora on My Mind (The Woodshed), Ayanna Kelly. Plays& Librettos: Mickey Dee and the Eclipse (Washington National Opera), Forever Entwined and Brathwaite’s Mecca (American Opera Project) Faces in the Flames (Atlanta Opera and Opera America) Courthouse Bells (Boston Opera Collaborative), Finding the Light (Louise Toppin and Opera Ebony), Sunset Dreams (The Vagrancy), Home of My Ancestors (HGOCo). Books: Performance, Dance and Political Economy, Black Performance Theory, Afro-Mexico. Gonzalez is a Professor at Georgetown University and Co-Founding Lead of the Racial Justice Institute. She is a Fellow at the American Opera Project, a member of the American Academy of Arts and Sciences and the Lincoln Center Director’s Lab and sits on the Board of Directors of the Mid Atlantic Arts Foundation. Gonzalez advocates for beautiful art crafted for social activism and consciousness raising.
www.anitagonzalez.com

Scripts

Brathwaite's Mecca

Librettist by Anita Gonzalez

Synopsis

Brathwaite’s Mecca takes place at the beginning of the Black Arts Movement in Harlem. Clara, a university student, meets Kwame Brathwaite, a photographer, who then photographs her in his studio. Brathwaite works with his brother Elombe producing the music and art that become a foundation for the "Black is Beautiful" movement. In the last scene, Clara reflects upon what she has learned about herself through her...

Brathwaite’s Mecca takes place at the beginning of the Black Arts Movement in Harlem. Clara, a university student, meets Kwame Brathwaite, a photographer, who then photographs her in his studio. Brathwaite works with his brother Elombe producing the music and art that become a foundation for the "Black is Beautiful" movement. In the last scene, Clara reflects upon what she has learned about herself through her experiences with the brothers and their photo studio.

Forever Entwined

Libretto by Anita Gonzalez

Synopsis

In Forever Entwined, a French-Caribbean love triangle, Beatrice, a lighthouse keeper, discovers her husband Gideon has fallen in love with a woman named Naomi who mends nets on the beach. When the lovers try to escape the island in a small fishing boat, the wife takes her revenge.

In Forever Entwined, a French-Caribbean love triangle, Beatrice, a lighthouse keeper, discovers her husband Gideon has fallen in love with a woman named Naomi who mends nets on the beach. When the lovers try to escape the island in a small fishing boat, the wife takes her revenge.

Faces in the Flames

by Anita Gonzalez

Synopsis

Picture frames and haunting memories emerge from the embers of the Atlanta Fire as a mother and daughter remember the legacy of African American photographer Thomas Askew. His photos of their dignity endure when all is lost and the world is aflame.

Picture frames and haunting memories emerge from the embers of the Atlanta Fire as a mother and daughter remember the legacy of African American photographer Thomas Askew. His photos of their dignity endure when all is lost and the world is aflame.

Ybor City

by Anita Gonzalez

Synopsis

An immersive musical about the rise of unionism and the healing of racial divides in 1918 Tampa. Aspiring activist Luisa brings us to Ybor City where factory workers labor under harsh work conditions. Catalino seeks to organize a union, while Afro-Cuban Pedro struggles for acceptance by the white Cuban community. Catalino's sister Teresa longs to bring her songs to the world and when a stranger comes to town, he...

An immersive musical about the rise of unionism and the healing of racial divides in 1918 Tampa. Aspiring activist Luisa brings us to Ybor City where factory workers labor under harsh work conditions. Catalino seeks to organize a union, while Afro-Cuban Pedro struggles for acceptance by the white Cuban community. Catalino's sister Teresa longs to bring her songs to the world and when a stranger comes to town, he offers new possibilities. Then, violence erupts. Pedro and his wife Irina don't know what side to take. The community must bond to effectively fight for decent working conditions for all.

Zora on My Mind

by Anita Gonzalez

Synopsis

Draft and Sophie, two feisty woman spirits, one white and one black, invent a character (in the spirit of Zora) name KEY. KEY is a dispirited Black woman who owns a beauty chair she calls a shop and rents out rooms for cash after cleaning up white folks’ houses in Washington DC. When shoe shine salesman Malik rents a room in Key's place, the two of them change up the story. The writers conjure up a dance contest...

Draft and Sophie, two feisty woman spirits, one white and one black, invent a character (in the spirit of Zora) name KEY. KEY is a dispirited Black woman who owns a beauty chair she calls a shop and rents out rooms for cash after cleaning up white folks’ houses in Washington DC. When shoe shine salesman Malik rents a room in Key's place, the two of them change up the story. The writers conjure up a dance contest and a hair show to show off Key's talent, but in the end Key makes her own space a - place for survival.

Sunset Dreams

by Anita Gonzalez

Synopsis

4 African-American women +1 set off to the Caribbean for a family vacation. In the midst of fun-in-the-sun, old rifts are revealed. Like many families, they have to deal with the frailties of an aging relative. Ancestors and ancient rituals long-forgotten sooth their wounds.

It all started when Lynette listened to her sister Maryse and agreed to travel to the Caribbean for Thanksgiving. It sounded ok. Distant...

4 African-American women +1 set off to the Caribbean for a family vacation. In the midst of fun-in-the-sun, old rifts are revealed. Like many families, they have to deal with the frailties of an aging relative. Ancestors and ancient rituals long-forgotten sooth their wounds.

It all started when Lynette listened to her sister Maryse and agreed to travel to the Caribbean for Thanksgiving. It sounded ok. Distant relatives heading to the beach to get away from work and family strife. At first all is good. But once everyone settles in at the hotel, spats and bickering collide with piña coladas and shared vulnerabilities. To top it off, Aunt Nettie’s mental state keeps everyone on edge. Maryse and Lynette regurgitate old wounds and honor their shared childhood experiences. Eventually, the celebrants reach Sunset Dreams beach and immerse themselves in salty ocean waves. Except they don’t know how to swim.4 African-American women +1 set off to the Caribbean for a family vacation. In the midst of fun-in-the-sun, old rifts are revealed. Like many families, they have to deal with the frailties of an aging relative. Ancestors and ancient rituals long-forgotten sooth their wounds.

Water Flow

by Anita Gonzalez

Synopsis

A young, pregnant teenager makes a choice to seek out a curandera and find out how her water flows. A poetical exploration of choices we make about life and death.

A young, pregnant teenager makes a choice to seek out a curandera and find out how her water flows. A poetical exploration of choices we make about life and death.

Ayanna Kelly

by Anita Gonzalez

Synopsis

Ayanna Kelly tells the story of Ayanna, an Afro Caribbean woman who travels to Liverpool to search for her father after the death of her mother. She leaves behind a boyfriend named Robert as she begins her quest for self. When Ayanna lands in Liverpool she meets a man named Monroe who leads her into a magic pub. There, the two of them begin a journey where they meet ghosts “playing” in past worlds in which they...

Ayanna Kelly tells the story of Ayanna, an Afro Caribbean woman who travels to Liverpool to search for her father after the death of her mother. She leaves behind a boyfriend named Robert as she begins her quest for self. When Ayanna lands in Liverpool she meets a man named Monroe who leads her into a magic pub. There, the two of them begin a journey where they meet ghosts “playing” in past worlds in which they are expected to play a part. Together, Ayanna and Monroe rehearse Shakespeare scenes in tea gardens, sing Caribbean songs in council house flats, play Mersey beat in the Cavern Club, evoke sea shanties on a phantom ship and a fight over a trip hop start named Wikkid T. Eventually Ayanna finds her father but he is not what she expected.

Home of My Ancestors

by Anita Gonzalez

Synopsis

It’s Juneteenth. Olivia, a Chicago-based African American doctor, returns to her childhood home in Houston’s Third Ward for her Grandma Rose’s memorial service. Her ex-boyfriend Barron hopes to rekindle their relationship as they reminisce and pack her grandmother’s living room. When Olivia falls asleep and dreams of her ancestors, she awakens with a new understanding of home and heritage.

It’s Juneteenth. Olivia, a Chicago-based African American doctor, returns to her childhood home in Houston’s Third Ward for her Grandma Rose’s memorial service. Her ex-boyfriend Barron hopes to rekindle their relationship as they reminisce and pack her grandmother’s living room. When Olivia falls asleep and dreams of her ancestors, she awakens with a new understanding of home and heritage.

Le Hot Blu

by Anita Gonzalez

Synopsis

Le Hot Blu is an American syncopated musical about a Harlem neighborhood and a 1947 bebop club. FRANKLIN runs a nightclub where his daughter, VINCY, sings. VINCY wants something more from her life, and when DOC, an aspiring jazz pianist (and the Jewish boy next door) plays at the club, a musical love affair begins to bloom. Doc’s MOM tries to protect her son from the neighborhood characters, but when the mob...

Le Hot Blu is an American syncopated musical about a Harlem neighborhood and a 1947 bebop club. FRANKLIN runs a nightclub where his daughter, VINCY, sings. VINCY wants something more from her life, and when DOC, an aspiring jazz pianist (and the Jewish boy next door) plays at the club, a musical love affair begins to bloom. Doc’s MOM tries to protect her son from the neighborhood characters, but when the mob threatens, she rallies with the BAND, the BOPPETTES, and the SPIRIT of HARLEM to save their favorite musical spot - Le Hot Blu

KUMANANA!

by Anita Gonzalez

Synopsis

KUMANANA! pays tribute to Victoria and Nicomedes Santa Cruz, who played a pivotal role in the resurgence of Afro-Peruvian arts during the 1960s and 1970s. Through their poetry, music, dance, and choreography, they focused attention on neglected cultural genres of Afro-Peruvian heritage and rekindled interest and appreciation for the music, dance, and poetry that had been long forgotten.

Conceived and directed...

KUMANANA! pays tribute to Victoria and Nicomedes Santa Cruz, who played a pivotal role in the resurgence of Afro-Peruvian arts during the 1960s and 1970s. Through their poetry, music, dance, and choreography, they focused attention on neglected cultural genres of Afro-Peruvian heritage and rekindled interest and appreciation for the music, dance, and poetry that had been long forgotten.

Conceived and directed by GALA’s co-founder Hugo Medrano with associate direction and choreography by Luis Sandoval Zapata, script by Anita González and Music Direction by Roberto Arguedas. Performed in Spanish with English surtitles. The production showcases the original music and writings of the Santa Cruz siblings and celebrates the resilience and creativity of a people who refused to be silenced or marginalized.

Courthouse Bells

by Anita Gonzalez

Synopsis

Three African American characters traveling to the courthouse to vote are haunted by memories. When they arrive they demand to be let in and have their votes count.

Three African American characters traveling to the courthouse to vote are haunted by memories. When they arrive they demand to be let in and have their votes count.