Adrian (he/they) is a trans and queer artist forever unbecoming and unraveling, consistently on the road but based in Boston. Originally raised in a rural mountain town, his plays, poetry, and prose often focus on the remoteness and liminality of both location and identity, and how community and connection can remedy those feelings. He believes in the disruption of synapses and making graveyard art, dissected and resurrected, and is always exploring ghosts, time, and the other shadows that make up our world. He specializes in writing of all kinds, as well as dramaturgy and stage management, and prioritizes transness and community in his work. Above all, he seeks to challenge and reject current rules and regulations surrounding sanity, queerness, grief, and joy. Most recently, his work has...
Adrian (he/they) is a trans and queer artist forever unbecoming and unraveling, consistently on the road but based in Boston. Originally raised in a rural mountain town, his plays, poetry, and prose often focus on the remoteness and liminality of both location and identity, and how community and connection can remedy those feelings. He believes in the disruption of synapses and making graveyard art, dissected and resurrected, and is always exploring ghosts, time, and the other shadows that make up our world. He specializes in writing of all kinds, as well as dramaturgy and stage management, and prioritizes transness and community in his work. Above all, he seeks to challenge and reject current rules and regulations surrounding sanity, queerness, grief, and joy. Most recently, his work has appeared in Third Estate Books' Spectrum: An Autistic Horror Anthology, Sundress Publications’ Transmasculine Poetics: Filling the Gap in Literature and the Silences Around Us, and his play Jesus On Ice was produced for Boston University's 2024 STAMP season.