Marus Anet

An androgynous, non conforming teenager (Sam), is expected to attend a family wedding dressed in a way their mother perceives as suitable for the equation. Sam challenges their mother's beliefs around presentation for the event and resists falling into what's expected of their appearance and behavior.

Inspired by the story of Esther and designed for Purim performance, An Ordinary Name transforms ancient court intrigue into a modern satire of power, media, and control. When a king’s quiet act of gratitude sparks jealousy, scandal, and manipulation, the path to justice begins not with a decree—but with the courage to be known as something ordinary.

2026 SEMI-FINALIST, NATIONAL QUEER THEATRE biannual national open call

In the final year of “Don’t Ask, Don’t Tell,” soldiers and civilians connected to a U.S. Army base must navigate love, secrecy, and the risk of being seen. As an investigation unfolds and repeal approaches, three couples are forced to decide what they are willing to sacrifice—career, safety, or each other—for the chance to live openly.

Set in a hybrid civic space that serves as the symbolic heart of a quintessential college town, Dancing At The Library follows two professors, Jeff and Greg, as they navigate the negotiation of a public relationship
. In a community that mirrors the familiar civility of an "Our Town" setting while remaining haunted by a history where "grief had a body count," the two men must move beyond a late-night dance floor and into the scrutiny of the campus mall
.
Guided by a Chorus of townspeople who act as witnesses to the "rhythms of the town," the play explores the tension between academic idealism and the lingering shadows of past secrets. While Jeff is a master of deflection, using locker-room humor to shield his private life, the arrival of Greg and the open hostility of colleagues like Brent force a confrontation with the town’s hidden guilt. Ultimately, the play is a story of reclaiming joy in a space where history writes itself in the quiet, as two men decide if they are ready to love in broad daylight

One coffee shop. Two strangers. Four competing narrators.

When a writer on a deadline meets a professional hockey player with a rare day off, what begins as small talk becomes an increasingly complicated negotiation over curiosity, boundaries, attraction, and expectation. Through overlapping chorus voices that speak the languages of sport, fandom, social media, and lived experience, Games We Play explores how different communities teach us to interpret the very same conversation.

Fans of queer hockey romance may recognize some of the cultural conversations that inspired this play.

Three soldiers return from war carrying very different wounds—and find that the systems meant to support them have no language for what they’ve lost. A devout infantryman struggles to reconcile his faith with what he witnessed in Iraq, a promising NCO risks everything to sustain a forbidden relationship, and a wounded platoon sergeant fights to prove he still belongs in the Army after losing his foot in combat. As their stories unfold, a watchful presence and a collective chorus give voice to the procedures, expectations, and silences that surround them, revealing the human cost of service when identity, belief, and belonging begin to break.

A politically ambitious college student tries to shape her blunt, working-class boyfriend into a future leader, only to discover he refuses to participate in her plan to change the world.

When a teenage granddaughter suggests throwing a party for her grandparents’ 50th anniversary, three generations of women begin to reconsider the marriage they thought they understood. As plans take shape, long-held assumptions about love, duty, and family life surface, revealing a relationship built as much on habit and compromise as on affection.

Moving between humor and quiet revelation, this intimate family drama explores how marriages endure, how expectations shift across generations, and how even the smallest daily rituals can carry the weight of a lifetime.

When a charming drifter returns home to reclaim a romance from his youth, he discovers the past has rewritten itself without him. In a town that remembers everything, he is forced to confront the man his former lover has become—and the limits of the identity he thought he understood. Approximately 20 - 25 minutes run time.

A meditation on ritual, transition, and becoming. Through the simple act of folding paper leaves, a trans man explores identity, family, faith, and the small practices that help us return to ourselves.

At a lively birthday party, a group of children set out to act their way through a familiar folktale: a village plagued by a dangerous dragon. But this dragon, George, is gentle, curious, and far more interested in plants than sheep—and three children who know him best are certain he’s been wrongly accused.

When animals and gold begin to disappear, fear spreads quickly through the village. Two older boys seize the moment, feeding the panic and turning rumor into opportunity. As the accusations grow, a visiting princess arrives to investigate, choosing questions over assumptions and evidence over legend.

Through careful observation—and a little help from George himself—the truth comes to light. The real problem isn’t the dragon, but the stories people choose to believe. In the end, justice is restored, the village begins to repair itself, and George is recognized not as a monster, but as its protector.

Blending humor, imaginative play, and a fresh twist on a classic tale, Sir George and the Dragon explores critical thinking, community responsibility, and the courage to stand up for what’s right—even when it means challenging the story everyone else believes. Features strong female leadership roles, including a principled young princess who drives the investigation and resolution.

A woman reflects on her role as “the other woman” in a long, unresolved marriage—only to discover, after the wife’s death, that their lives and desires may have been more alike than she ever imagined.

Inspired by the work of A. R. Gurney, The Bar is a playful, queer take on a familiar space: a place everyone recognizes, and the countless interactions that unfold within it. Across a single night, a series of overlapping encounters - flirtations, confrontations, negotiations, and unexpected connections— reveal how desire, identity, and boundaries are expressed, tested, and understood in real time. As strangers and regulars collide under the same low light, each must navigate not just what they want, but what they mean—and what they’re willing to stand by.

A Study in B flat Minor reimagines the A Scandal in Bohemia through a contemporary, music-driven lens. Framed as an orchestral rehearsal led by Irene Adler, the play unfolds as a series of competing retellings of the same case, employing a Rashomon-style structure in which multiple versions of events coexist, contradict, and reshape one another.

As Sherlock Holmes attempts to recover a compromising photograph on behalf of a powerful client, three alternate Holmes/Watson voices challenge his assumptions, methods, and ethics. Information, deduction, and social perception collide, revealing that the case is not merely a puzzle, but a struggle over reputation, narrative, and institutional power.

Blending Holmesian deduction with musical form - partita, fugue, and variation - the play examines how stories are constructed, who controls them, and what it costs to survive their consequences.

After September 11, a former Wall Street executive finds himself haunted not by the fall of the towers, but by the small, vibrant community that lived beneath them. As he retraces his daily commute, he remembers the vendors, clerks, and familiar faces who formed an invisible village and confronts the unsettling reality that many of them seem to have disappeared without a trace. The Patriots Act is a memory play about who gets remembered, who is forgotten, and what it means to bear witness.

Three friends meet in the kitchen of one, to discuss an early morning meeting. A playful comment about sharing space together develops into a delightful farce revolving around the accessories of a maid's outfit.

When a deployed father attempts to parent his two teenagers through a long-distance phone line, his wife Fiona and children Maria and Zeke find that their domestic world refuses to pause for his return. As months pass, the frantic reality of suburban life - from Maria’s diving injuries and Zeke’s academic struggles to the sudden arrival of yellow hair and new appliances - reveals a family adapting to a void they never asked to fill.

Moving between fast-talking humor and poignant frustration, this intimate family comedy explores the emotional toll of military deployment and the shifting identities of those left behind. It examines how a year of "unexcused absence" can turn a parent into a spectator of their own life, revealing that being "together" requires more than just a voice on a line and that even the most well-intended silence can carry the weight of a lifetime.