Dina saves everything she might turn into art. Her partner Kelly is a neat freak. Conflict ensues. Comedy also ensues, in the form of everything in the prop closet.

Three women, three races, three different times. All strangely gathered in a suburban American back yard of today. All struggling with threats to their lives and families. Over hotdogs and beer, they figure out a way to survive.

Chronic invisible illness. Doesn't matter if you live in 1890, 1950, or 1990, it's no fun. Baffled physicians, struggling families, and the Huckster's wonderful cures battle it out.

On the darkest evening of the year, in the jungle of the homeless, Edie tries to make life bright with candles, even though Joe hates Christmas. Edie keeps trying to make it out of homelessness, but alcoholic Joe has given up -- until tonight, when roles reverse. In this funny, poignant drama, these unlikely comrades briefly understand the miracle of light.

You can choose your house, sometimes you can even choose your family, but you have to choose.
The only house for Lee is her Nana’s place, where she spent all her no-school summertimes, and Lee puts her life on hold waiting for that perfect home. When Nana dies and Lee’s mother Helen considers selling the Wright place, family indecision becomes a family struggle.
Meanwhile, Lee’s best friend Diana goes on a lifelong search for the ideal house and family; a journey that takes her from a hippie farm to a suburban paradise, and from a traveling camper to a church shelter.
The Wright Place is about our pursuit of the perfect house and home.
NOTE: This script is published, but the royalties are very low.

This play is about three women who learn how to live together, or perhaps about one woman who learns to live with herself. And it is about things chimerical--mythical beasts and foolish fancies. The style is fantasy leavened by humor and pragmatism.

When the revolution comes to Cora's garden, she uses her unassuming magic to help the cause, and then to deal with the revolution's aftermath.