Esperanza Rosales Balcárcel (she/they) is a trans Guatemalan artist, born in Guatemala City and raised in Norwalk, CT. Her works are spiritual and physically adventurous narratives driven by dance, poetry, and passionate characters that give Queer BIPOC voices a space to interrogate core wounds and offer them a path towards healing.
Esperanza’s plays have been supported by TheatreWorks Silicon Valley, Roundabout Theatre, Princeton University’s Lewis Center for the Arts, the Stanford Department of Theater and Performance Studies, the Eugene O’Neill Theater Center, the Breaking the Binary Theatre Festival, and New York Theater Workshop. Esperanza is the recipient of the Princeton Ward Prize for Fiction, the Eugene O'Neill Memorial Scholarship, the Paul Greene Award from the National Theatre...
Esperanza Rosales Balcárcel (she/they) is a trans Guatemalan artist, born in Guatemala City and raised in Norwalk, CT. Her works are spiritual and physically adventurous narratives driven by dance, poetry, and passionate characters that give Queer BIPOC voices a space to interrogate core wounds and offer them a path towards healing.
Esperanza’s plays have been supported by TheatreWorks Silicon Valley, Roundabout Theatre, Princeton University’s Lewis Center for the Arts, the Stanford Department of Theater and Performance Studies, the Eugene O’Neill Theater Center, the Breaking the Binary Theatre Festival, and New York Theater Workshop. Esperanza is the recipient of the Princeton Ward Prize for Fiction, the Eugene O'Neill Memorial Scholarship, the Paul Greene Award from the National Theatre Conference, the Kennedy Center's Latinx Playwriting Award and Paula Vogel Playwriting Award (Finalist), as well as a Relentless Award Honorable Mention for their play Color Boy. Her play Lupe Finds Me in the Garden of Dreams is a finalist for the Leah Ryan Prize, the 2024 O’Neill Playwrights Conference, the Van Lier Fellowship at Rattlestick Theater, and will be developed through New York Theater Workshop’s 2024 Summer Dartmouth Residency.
Along with writing, Esperanza is an active producer and was one of the 2022 Producing Artistic Directors of the Yale Summer Cabaret, where their collective commissioned and produced an entire season of new plays by Queer BIPOC writers, including Maia Novi’s Invasive Species and a.k. payne’s BurnBabyBurn: An American Dream. Most recently, her monologue, Soledad’s Journey, was featured in Breaking the Binary Theatre Festival’s Bliss: A Collection Commissioned Scenes and Monologues, where it was performed by Indya Moore at the Public Theater.
She is currently a Teaching Artist for the Public Theater, a Drama Teacher at Brooklyn Prospect Charter High School, and a Lecturer in Playwriting at the David Geffen School of Drama at Yale, where she produced the 2024 Carlotta Festival of New Plays. BA: Princeton. MFA: Yale.