Victor Wishna

Victor Wishna

Victor Wishna is an author, editor, playwright, and commentator, among other things. As a dramatist (and comedist), he has composed nearly a dozen plays. His newest play, Tree of Life, is currently touring nationally with the Jewish Plays Project as a finalist in the 2022 National Jewish Playwriting Contest. His dark comedy DNR was recently produced at The Living Room Theatre in Kansas City, and was named a...
Victor Wishna is an author, editor, playwright, and commentator, among other things. As a dramatist (and comedist), he has composed nearly a dozen plays. His newest play, Tree of Life, is currently touring nationally with the Jewish Plays Project as a finalist in the 2022 National Jewish Playwriting Contest. His dark comedy DNR was recently produced at The Living Room Theatre in Kansas City, and was named a semi-finalist in the Blue Ink Playwriting Competition at the American Blues Theater in Chicago. His first full-length play, Shearwater, was selected as a winner of the Panndora's Box Festival of New Works in Long Beach, Calif., and a finalist in Playhouse on the Square's New Works @ The Works Playwriting Competition in Memphis. He has also written extensively about theatre, and is the author of In Their Company: Portraits of American Playwrights (Umbrage Editions, 2006). A graduate of Stanford University and the New School’s creative writing MFA program, he has written for the Wall Street Journal, the Baltimore Sun, the Miami Herald, and other major publications, and is a regular contributor to KCUR-FM, Kansas City’s NPR affiliate.

Plays

  • Tree of Life
    (FULL-LENGTH, TWO ACTS) A Finalist in the 2022 National Jewish Playwriting Contest: Sixty-something widower Ken clings to his proud but slowly dying Jewish congregation in the tiny town of Wiconee, Iowa; visiting graduate student Marianela represents a burgeoning community of Colombians who have only recently rediscovered their Jewish roots. As Mari’s true intentions are revealed, the synagogue’s antique Torah...
    (FULL-LENGTH, TWO ACTS) A Finalist in the 2022 National Jewish Playwriting Contest: Sixty-something widower Ken clings to his proud but slowly dying Jewish congregation in the tiny town of Wiconee, Iowa; visiting graduate student Marianela represents a burgeoning community of Colombians who have only recently rediscovered their Jewish roots. As Mari’s true intentions are revealed, the synagogue’s antique Torah scroll—the rolled parchment containing the handwritten five books of Moses, referred to in Jewish tradition as an etz chayim, “tree of life”—becomes a critical character in the bittersweet (and occasionally comic) drama that unfolds. Interlocking with the present narrative of Congregation Etz Chayim’s demise, the story of the synagogue’s origins and its Torah’s mysterious past plays out in the same space, a century before. Inspired by real events, through a tale that explores little-known realities of recent history and shifts between continents and across centuries, Tree of Life should provoke us to examine the elements of our own identities. How—through what connections—do we define who we are? Do we belong to our past, or does it belong to us? What do we hold onto, and when should we let go?
  • DNR
    (FULL-LENGTH, ONE ACT) Amanda, a hospital volunteer with a guardian-angel complex, meets her newest assignment, Bud, a terminally ill patient with very little patience. She's a benevolent soul; he’s a bitter Navy vet with one last mission to complete—and he insists it’s a solo. An irresistible force meets an immovable, bed-ridden object, and as the conversation jumps from cancer to kabballah to hypno-birth...
    (FULL-LENGTH, ONE ACT) Amanda, a hospital volunteer with a guardian-angel complex, meets her newest assignment, Bud, a terminally ill patient with very little patience. She's a benevolent soul; he’s a bitter Navy vet with one last mission to complete—and he insists it’s a solo. An irresistible force meets an immovable, bed-ridden object, and as the conversation jumps from cancer to kabballah to hypno-birth to day-drinking in front of koalas at the San Diego Zoo, both are forced to reexamine what they want, why they’re here, and what exactly they are going to do about it. With warmth, wit, and bite, DNR explores the complexities of human connection and asks, what does it mean to be alone? What does it mean to be alive?
  • Shearwater
    (FULL-LENGTH, TWO ACTS) Ben, a struggling novelist, has lucked into the gig of a lifetime: ghostwriting a memoir for Esther Lindman, the colorful and infamously outspoken widow of one of the 20th century’s greatest American artists. But when the stories don’t add up, and new pressures mount at home, Ben just digs deeper, soon discovering that truth—like art—is in the eye of the beholder.
  • Thank You For Meeting Me Here
    (SHORT ONE-ACT) When her locker is vandalized with a swastika, Jewish high-schooler Joni asks to meet with the fellow student who drew it--rather than have him expelled--in the hope that he might come to understand the impact of what he has done, even as it is too late to prevent unintended consequences.

    "Thank You For Meeting Me Here" was commissioned by the Jewish Federation of...
    (SHORT ONE-ACT) When her locker is vandalized with a swastika, Jewish high-schooler Joni asks to meet with the fellow student who drew it--rather than have him expelled--in the hope that he might come to understand the impact of what he has done, even as it is too late to prevent unintended consequences.

    "Thank You For Meeting Me Here" was commissioned by the Jewish Federation of Greater Kansas City as part of the Jewish Federations of North America's national Shine a Light on Antisemitism initiative.
  • Chapter 16 or The Goat That Got Away
    (10-MINUTE) Billy and Morty, two goats (just go with it) en route to the Temple in Jerusalem, discuss the profound implications of what might happen when they arrive. "A short midrash in one act" on the chapter of the Torah that is read on Yom Kippur.
  • Written Off
    (SHORT ONE-ACT) An aging television actor gets the dreaded call from the man upstairs--his producer.
  • The Impressionists
    (10-MINUTE) At an art gallery opening, a young man interrupts a young woman who is waiting to meet her online date—and urges her to reconsider her first impressions.
  • After All
    (SHORT ONE-ACT) A young woman encounters a young man, an expectant father, in the waiting room of a hospital near Disneyland; a conversation that tackles fears of the future and frustrations of the past ultimately comes full circle.
  • To The Dogs
    (10-MINUTE) At the starting gate of a dilapidated dog-racing track, in the moments before what will turn out to be their final race, three relatively contemplative and articulate greyhounds—the young hotshot Flash O’Lightning, the grizzled vet Blue Smoke Risin’, and the morally conflicted Atta Girl—consider their current situation and the changed life awaiting them.