Bruce Walsh

Bruce Walsh

Since receiving his MFA in playwriting from Indiana University in 2017, Bruce's plays have won the Heideman Award, the Gary Garrison National Ten Minute Play Award, and the Maxim Mazumdar New Play Award. His works have recently been produced by Actors Theatre of Louisville, Fat Turtle Theatre Co., and Creative Works of Lancaster; and developed by The Kennedy Center for the Performing Arts, Azuka Theatre,...
Since receiving his MFA in playwriting from Indiana University in 2017, Bruce's plays have won the Heideman Award, the Gary Garrison National Ten Minute Play Award, and the Maxim Mazumdar New Play Award. His works have recently been produced by Actors Theatre of Louisville, Fat Turtle Theatre Co., and Creative Works of Lancaster; and developed by The Kennedy Center for the Performing Arts, Azuka Theatre, and Outpost Repertory Theatre. His play, BERSERKER, is scheduled to be produced by Alleyway Theatre (Buffalo, NY) in their 2020-21 season. In a previous life, he was a longtime arts reporter for the Philadelphia Metro and City Paper. He currently lives in Elizabethtown, PA, where his wife, Jennie, is a mental health counselor at Elizabethtown College, and his son, Henry, enjoys cupcakes, Robocar Poli, and shooting hot lava out of his elbows.

Plays

  • Grown-Ass Louis, a ten-minute play
    When Louis was eleven-years-old, he wrote a note to his recently deceased father, tied it to a balloon, and released it to the heavens. But now, even though he's a grown-ass man, he can't stop wondering if his dad ever received the message.
  • Prospect Hill
    In a Midwest college town, Jacob runs an in-home, sliding-scale counseling practice, partly underwritten by Rex, his well-to-do husband. But when Rex sets his savior complex on Ethan, Jacob’s working-class, drug-addicted client, their relationship fractures — then suddenly flourishes — as all three men wrestle with their addictions, grievances, false idols, privilege, and yearnings for a higher power.
  • Berserker
    When an idealistic teacher falls in love with a voice emanating from a security camera mounted deep in the wilderness, he leaves his partner, child, and students in pursuit of his new obsession. But in order to get closer to his muse, he must embark on a new career in her workplace – a tech company specializing in virtual “NatureScapes.” There he discovers the true face of his passions, not in the beautiful...
    When an idealistic teacher falls in love with a voice emanating from a security camera mounted deep in the wilderness, he leaves his partner, child, and students in pursuit of his new obsession. But in order to get closer to his muse, he must embark on a new career in her workplace – a tech company specializing in virtual “NatureScapes.” There he discovers the true face of his passions, not in the beautiful woman he imagines, but in what he fears might be lurking in the forest surrounding his office.

Recommended by Bruce Walsh

  • Shitheads
    21 Apr. 2018
    SHITHEADS is a fine-tuned day job comedy about young people desperately seeking a vessel (the bike shop where they work) for their personal authenticity, amidst a culture that is increasingly skewed toward a vapid, winner-take-all economy. In the best spirit of THE ALIENS and THE FLICK, this sparse, four-person drama presents micro dilemmas (how to sell an overpriced bike) that poetically resonate with the great questions of a life well lived.
  • These Peaceable Kingdoms
    11 Aug. 2017
    I was fortunate to catch a reading of THESE PEACEABLE KINGDOMS at the Kennedy Center MFA Playwrights' Workshop. It was simply one of the most captivating staged readings I've ever seen. KINGDOMS evokes the startling early work of Caryl Churchill and Naomi Wallace. But Woolley's own sharp, biting, dangerous, challenging brand of feminist theater comes pouring through as well.
  • business
    23 Jun. 2017
    On the surface, BUSINESS is an understated tragedy: a pair of star-crossed modern would-be lovers find, or rather lose each other in a faceless hotel. But underneath, Lusk subtly builds a heartbreaking statement about the relationship between how we work and how we love in 2017.
  • How to Use a Knife
    10 May. 2017
    HOW TO USE A KNIFE brings global politics into the less-than-sparkling kitchen of a Midtown Manhatten restaurant. And that feels surprisingly perfect. Snider knows a thing or two about fast-paced kitchen culture, and it shows. The play runs at breakneck speed, like a New York kitchen at lunchtime.
  • St. Sebastian
    10 May. 2017
    ST. SEBASTIAN deals with the oft-unspoken fears, angers, and resentments that permeate the changing demographics of gentrifying urban America. But with such heart. It's also about the way in which well-intentioned progressives often cut themselves off from vulnerability by obsessing over getting their politics and language "right." Kramer smartly sets his play on a bare, sparsely designed stage. It's a play about people - three fascinating men - and not the cold buildings that surround them.