Marcus Scott is a dramatist & journalist. Full-length works: TUMBLEWEED (finalist: 2017 BAPF & 2017 Austin Playhouse Festival of New American Plays; semifinalist: 2022 O’Neill NPC, 2022 Blue Ink Playwriting Award & 2017 Princess Grace Award at New Dramatists; long-listed: 2023 Austin Film Festival Playwriting Competition - 2nd Rounder), SIBLING RIVALRIES (finalist: 2023 Normal Ave’s NAPseries, 2021 Seven Devils Playwrights Conference & 2021 Judith Royer Excellence In Playwriting Award; semi-finalist: 2022 Lanford Wilson New American Play Festival, 2021 Blue Ink Playwriting Award & 2021 Princess Grace Award at New Dramatists; long-listed: 2020 Theatre503 International Playwriting Award), THERE GOES THE NEIGHBORHOOD (finalist: 2023 Princess Grace Award at New Dramatists, 2023 Blue Ink...
Marcus Scott is a dramatist & journalist. Full-length works: TUMBLEWEED (finalist: 2017 BAPF & 2017 Austin Playhouse Festival of New American Plays; semifinalist: 2022 O’Neill NPC, 2022 Blue Ink Playwriting Award & 2017 Princess Grace Award at New Dramatists; long-listed: 2023 Austin Film Festival Playwriting Competition - 2nd Rounder), SIBLING RIVALRIES (finalist: 2023 Normal Ave’s NAPseries, 2021 Seven Devils Playwrights Conference & 2021 Judith Royer Excellence In Playwriting Award; semi-finalist: 2022 Lanford Wilson New American Play Festival, 2021 Blue Ink Playwriting Award & 2021 Princess Grace Award at New Dramatists; long-listed: 2020 Theatre503 International Playwriting Award), THERE GOES THE NEIGHBORHOOD (finalist: 2023 Princess Grace Award at New Dramatists, 2023 Blue Ink Playwriting Award, 2019 Bushwick Starr Reading Series; semifinalist: 2024 BAPF, 2024 Fault Line Theater’s Irons in the Fire & 2024 O’Neill NPC; long-listed: 2024 AFF Playwriting Competition - 2nd Rounder), VINYL VANGUARD (Step1 R&D Series) and CHERRY BOMB (recipient: 2017 Drama League First Stage Artist-In-Residence, 2017 New York Theatre Barn's New Works Series; 2017 finalist for the Yale Institute for Music Theatre). Heartbeat Opera commissioned Scott to adapt Beethoven’s FIDELIO (Co-writer; Met Live Arts at the MET Museum, Mondavi Center at UC Davis, Scottsdale Center for the Performing Arts, The Broad Stage, Rutgers Presbyterian Church, Baruch Performing Arts Center; NYTimes Critics’ Pick).
Scott is the recipient of the Chelsey/Bumbalo Playwriting Award (2024) and the WTP Rosalind Ayres-Williams Memorial Scholarship (2022-2024). Other residencies and retreats: Art House Productions INKubator Play Lab (2023-2024), CRY HAVOC Company's inaugural PlayList writers group (2023), the inaugural Personal Pizza Party Writers' Kitchen cohort (2023), The 2022 Valdez Theatre Conference, The Road Theatre Company's Under Construction 3 Playwrights Group (2022), Mojoaa Performing Arts Company's Southern Black Playwrights Lab (Cohort 2; 2022), Works & Process LaunchPAD “Process as Destination” Residency at the Guggenheim (2022), Prospect Musical Theater Lab (2021), María Irene Fornés Playwriting Workshop (2021), JACK Governor's Island Artist Residency (2021), Catwalk Artist Residency (2021), The Center at West Park Virtual Performance Residency (2020-2021), Gingold Theatre Group Speaker's Corner Writer (2020-2022), Liberation Theatre Company's Playwriting Residency Fellowship (2018), Athena Theatre Company's Athena Writes Playwriting Fellowship (2018-2019), the inaugural LIT Council at the Tank (2018-2019), Fresh Ground Pepper Artist-In-Residence BRB Retreat (2017), One Co. Writers' Residency at Little Farm (2017) and Goodspeed Opera House Retreat (2013). Scott is a 2024-2025 Dramatists Guild Foundation National Fellows finalist, 2022 Many Voices Fellowship finalist, a 2022 Soho Rep Writer/Director Lab finalist, a 2021 NYSAF Founders’ Award finalist and a 2021 Doric Wilson Independent Playwright Award semi-finalist. His articles appeared in Architectural Digest, Time Out New York, American Theatre Magazine, Playbill, Elle, Out, Essence, The Brooklyn Rail, among others. BFA: State University College at Buffalo, MFA: NYU Tisch.