Marcus Scott is a playwright, musical theatre writer & journalist. Full-length works include "Tumbleweed" (finalist: 2017 BAPF & the 2017 Festival of New American Plays at Austin Playhouse; semifinalist: 2022 O’Neill NPC, 2022 Blue Ink Playwriting Award & 2017 New Dramatists Princess Grace Fellowship Award), "Sibling Rivalries" (finalist: 2021 Seven Devils Playwrights Conference...
Marcus Scott is a playwright, musical theatre writer & journalist. Full-length works include "Tumbleweed" (finalist: 2017 BAPF & the 2017 Festival of New American Plays at Austin Playhouse; semifinalist: 2022 O’Neill NPC, 2022 Blue Ink Playwriting Award & 2017 New Dramatists Princess Grace Fellowship Award), "Sibling Rivalries" (finalist: 2021 Seven Devils Playwrights Conference & 2021 ATHE-KCACTF Judith Royer Excellence In Playwriting Award; semi-finalist: 2022 Lanford Wilson New American Play Festival, 2021 Blue Ink Playwriting Award & 2021 New Dramatists Princess Grace Fellowship Award; long-listed: 2020 Theatre503 International Playwriting Award) &"Cherry Bomb" (recipient: 2017 Drama League First Stage Artist-In-Residence; 2017 finalist for the Yale Institute for Music Theatre). Heartbeat Opera commissioned Scott to adapt Beethoven’s “Fidelio” (Co-writer; The Met Museum; NYT Critic’s Pick). Scott is the recipient of the WTP Rosalind Ayres-Williams Memorial Scholarship (2022-2024). His one-act "Sundown Town" is slated to be published in "Obsidian: Literature and Arts of the African Diaspora: Issue: 48.1 (Forthcoming in 2022/2023).
His work has developed or presented at Concord Theatricals/Sam French OOB Short Play Festival, Queens Theatre (New American Voices series), The Fire This Time Festival, Zoetic Stage (Finstrom Festival Of New Work), Dixon Place, Feinstein's/54 Below, Abingdon Theatre Company, Downtown Urban Arts Festival, Classical Theatre of Harlem, Across A Crowded Room at Lincoln Center Performing Arts Library (NYPL), Musical Theater Factory's 4x15 Series, New York Theatre Barn New Works Series, Space on Ryder Farm, Theatre West, New Circle Theatre Company, MicroTheater Miami, Columbia College Chicago, among others.
Residencies and retreats: The 2022 Valdez Theatre Conference, The Road Theatre Company's Under Construction 3 Playwrights Group (2022), Mojoaa Performing Arts Company's Southern Black Playwrights Lab (Cohort 2; 2022), Works & Process LaunchPAD “Process as Destination” Residency at the Guggenheim (2022), Prospect Musical Theater Lab (2021), María Irene Fornés Playwriting Workshop (2021), JACK Governor's Island Artist Residency (2021), Catwalk Artist Residency (2021), The Center at West Park Virtual Performance Residency (2020-2021), Gingold Theatre Group Speaker's Corner Writer (2020-2022), Liberation Theatre Company's Playwriting Residency Fellowship (2018), Athena Theatre Company's Athena Writes Playwriting Fellowship (2018-2019), the inaugural LIT Council at the Tank (2018-2019), Fresh Ground Pepper Artist-In-Residence BRB Retreat (2017), One Co. Writers' Residency at Little Farm (2017) and Goodspeed Opera House Retreat (2013). Scott is a 2021 NYSAF Founders’ Award finalist, a 2021 Doric Wilson Independent Playwright Award semi-finalist, a 2019 finalist for the Bushwick Starr's Starr Reading Series, a three-time National Black Theatre I AM SOUL Playwrights Residency finalist and a four-time top finalist for the R&D Group at The Civilians. His articles appeared in Architectural Digest, Time Out New York, American Theatre Magazine, Playbill, Elle, Out, Essence, The Brooklyn Rail, among others. BFA: State University College at Buffalo, MFA: NYU Tisch.