Ricky J. Martinez is a Miami-born Cuban-American playwright and theatre maker living in steamy South Florida. A recipient of the Margo Jones Award and an NNPN Playwright Alumni, Martinez creates plays that explore legacy, identity, and the strange humor of human contradiction. He's developed work through the Miami-Dade County Cultural Affairs Playwriting Development Program, studying under master playwrights Arthur Kopit, Tina Howe, and Kia Corthon.
His plays and readings have appeared at venues and festivals including NJ Rep (NNPN Selected Showcase), Performing Network Theatre’s Fireside New Play Festival (Ann Arbor), INTAR (New York), Repertorio Español’s Cuban-American Artist Week, Actor’s Playhouse New Play Festival, Teatro Pregones, East Village Experimental Theatre, and the Miami...
Ricky J. Martinez is a Miami-born Cuban-American playwright and theatre maker living in steamy South Florida. A recipient of the Margo Jones Award and an NNPN Playwright Alumni, Martinez creates plays that explore legacy, identity, and the strange humor of human contradiction. He's developed work through the Miami-Dade County Cultural Affairs Playwriting Development Program, studying under master playwrights Arthur Kopit, Tina Howe, and Kia Corthon.
His plays and readings have appeared at venues and festivals including NJ Rep (NNPN Selected Showcase), Performing Network Theatre’s Fireside New Play Festival (Ann Arbor), INTAR (New York), Repertorio Español’s Cuban-American Artist Week, Actor’s Playhouse New Play Festival, Teatro Pregones, East Village Experimental Theatre, and the Miami One-Acts Festival, among others. Martinez has also been commissioned by Miami Light Project, where he created an adaptation of Racine’s Phaedra and the original solo work CALBO, which toured internationally and was featured in the Florida-Brazil Festival in Germany.
As a theatre artist he works across disciplines— playwriting, directing, producing, and mentorship— often developing new plays in close collaboration with actors and directors. His work tends toward intimate theatrical worlds, where silence, humor, and confrontation collide.
He continues to develop new plays from Miami, a city whose heat, contradictions, and cultures often find their way into his work.