Julia Lederer

A surrealist dark comedy that takes place on an island that is sinking in the sea, but none of its inhabitants will leave.
Our hero, May, tries to convince others that they need to move, but no one will listen. Inspired by a new resident to the island, May decides to do a political demonstration: she will stand still and sink, so no one will be able to ignore the impact of what's happening: not her twin sister, her fiancé, or even the ghost of her grandmother. They will have to take action... right?
A play that asks: "How do we stand on a sinking world and maintain hope?"

"Drawing inspiration from playwrights like Sarah Ruhl and Samuel Beckett, playwright Julia Lederer combines elements of surrealism with dark comedy to create a narrative that is as entertaining as it is thought-provoking." - Sierra Club, Dallas

In an act of courage and rash emotion, Anabel gives her heart to a stranger she meets on the subway.
He disappears with it and her limbs begin to fall asleep. She needs to get it back.
George is on the run, but keeps getting distracted by romantic comedies and feelings he's never had before. Not all of them are his own. Mona is online speed-dating and seeking therapy from GoogleShrink to feel more connected to the real world. Then a stranger appears on her doorstep in search of a missing heart.

Whimsical, funny, and wildly original, With Love and a Major Organ is a unique exploration of love in the age of technology. Why is it that we are ever more connected and yet we have never felt more alone? A modern day fable about what it costs to give your heart away, and what happens when you discover you actually have one.

"[A] show that stands out above the others... just about perfect... rises to a rare level of universal truth, all while making us laugh. A lot.”
- NewCity Stage, Chicago

"Lederer’s dialogue is laced with sophisticated poetry and wry insight into the isolation faced by a generation.”
- The Los Angeles Times

"A brash, poetic and fiercely original voice that's equal parts pee-your-pants funny and get-out-that-Kleenex poignant." - NOW Magazine, Toronto

* There are 2 versions-- the published 60 minute version (link to book below), and the newer 85 minute version that premiered at the Theatre @ Boston Court, October 2017. Both are available. The attached pages are from the longer version.

* Age, gender, and enthicity are open. With the adjustments of pronouns, this play has been performed with three women. Other combinations are also possible.

* Adapted (by the author) into a feature film, premiered at SXSW 2023. Currently streaming.

U-R-U is a modern, female-driven comedy about robots taking over the world, inspired by Karel Capek's play, R.U.R. (Rossum's Universal Robots).

First Daughter, Helen Spectacular, arrives at the world's largest robot-producing start-up with a plan to free the robots and grant them human rights. She quickly becomes embroiled in a love triangle and a secret science experiment. Also, a major robot rebellion is underway. Absurdly comic and existentially chilling, U-R-U examines the societal obsession with progress at all costs and the decreasing worth of humanity in this increasingly artificial world.

Jackie has moved into a cardboard box on Yonge Street. Her friends don't know what to do. She tells them to just get used to it and it will become normal, eventually.
Kate and Beatrice try to convince her to find another way to live, but Jackie becomes more and more accustomed to her box. And it's hard to stay friends with a box.

Through creating our own limitations, can we avoid disappointment?
When something that is considered abnormal or unhealthy provides solace, is always it wrong? 
A one-act comedy, written for the age of the 'Quarter-Life Crisis'.

8 short plays and 4 storylines in 1 hour, Reality Theatre is a completed whole with extractable parts, written for audiences with shorter and shorter attention spans.

It's All in the Timing meets BlackMirror, with a bit of Waiting for Guffman thrown in for good measure.

Reality and fantasy blur for a woman typecast as a spoon in Beauty and the Beast.
A man grapples with how to tell his best friend about the contract he once signed in blood in exchange for eternal youth. The internet evaporates into thin air. People stare at each other for entertainment instead of watching reality television.

Reality Theatre is a fast moving collection of short, inter-woven plays that explore our anxieties about change, the acceleration of technology, and maintaining human relationships in a world quickly becoming less and less human.

One-act plays can also be performed as individual pieces or in pairs.
The full collection can be performed by 3-9 actors, depending on how it's cast.
(Productions to date have been performed by 3).

"Julia Lederer’s plays are full of off-the-wall observations and imagination and Reality Theatre is the latest example... Intriguing. Recommended."
- Lynn Slotkin, The Slotkin Letter

"I wish I would have written down some of Lederer's one liners - her witty writing had me laughing the entire play." - Taylor Long, Broadway World Toronto (SummerWorks Production).

An article about the play, it's inspiration, structure, and themes: http://bit.ly/2gI1DRk

“We know exactly how to restore a painting, but we have no idea how to restore a person.”

Mary and Laura are in the back room of a gallery, both drawn to the same piece of art: a large, empty frame. The painting they each see pulls them in, exposes their secrets, and ultimately connects them. Even just for a moment.