Recommended by Jessica Austgen

  • The Last Month of William Joseph Dale
    2 Dec. 2018
    A lovely two-hander about new love and the flurry of emotions that accompany it—excitement, frustration, joy, anxiousness—made all the more poignant by the knowledge that one half of this couple is doomed from the start. Squire’s play dances through the first/last days if this relationship with delicate dialogue, complex characters and a sad sense of longing for the unfulfilled potential of a love affair that was never allowed to fully bloom.
  • Burst
    6 Aug. 2018
    I had the privilege of seeing a staged reading of BURST this past weekend with the R.E.A.C.H. program at the Utah Shakespeare festival and it was absolutely captivating. Bublitz has crafted three complex female roles that are constantly showing new, unexpected facets as the play unfolds. This three hander touches on some heavy current issues, but never loses sight of the human hearts and relationships that are the core of the drama.
  • The Jacket
    27 Jul. 2018
    THE JACKET is a tightly woven domestic thriller (but still a comedy!) that wrenches up the tension with rapid fire, naturalistic dialogue and an ever-deepening mystery of where the &$%& is Jeremy's badass jacket? One of my favorite comic devices is making a big deal out of something little, and Soltero-Brown puts his characters through an hilarious mystery with the sky-high drama of a 1970's political thriller, all in search of nothing more than a favorite piece of clothing. (Or is it?!)
  • Storm Clouds for Lonely Hearts
    26 Jul. 2018
    STORM CLOUDS FOR LONELY HEARTS is a lovely, non-linear short play that gives us a glimpse of the budding relationship between two women on the day/night of their first date. Hernandez' dialogue is realistic, but he finds a natural poetry in the small talk and awkward starts of an initial encounter with a potential lover. Two great roles for young women.
  • We See What Happen
    26 Jul. 2018
    I had the opportunity to see a reading of the play in May 2018 and it was such a moving, enlightening and, above all else, funny piece. The Jonathan character is likable and relatable and gives us an easy way into this story of immigration, love, loss and superheroes. So funny, so charming, so heartfelt. And Granny is a such a rich, fun character for an older actress.
  • No Talking Allowed!
    7 May. 2018
    This hilarious and original ten minute TYA play is a great script for young performers. Bublitz writes sharp, smart (yet still accessible!) dialogue and wisely allows the script to work with flexible casting re: gender and cast size. No Talking Allowed has ample opportunity for advanced character work and fun physical humor. Also, Aaron is kind of the Javert of Hall
    Monitors. Loved him! Bublitz knows TYA and this is another great example of her effervescent writing.
  • Back Cover
    13 Apr. 2018
    Hageman knocks it out of the park with Back Cover, a deceptively simple script that appears to be a coming of age story (a very well-done coming of age story, at that) that takes a simple turn and becomes so much more. This one act draws us in with appealing characters and sparkling dialogue, which makes the climatic shift of the play incredibly powerful and gut-wrenching.
  • Petticoat Despot
    6 Apr. 2018
    I am in love with this tiny gem of a play! Henry has assembled her dialogue from correspondence between John and Abigail Adams and imbues it with such strong intention that it leaps off the page. This loving (yet pointed) debate between the Adams is an excellent opportunity for two strong performers to dive into heightened language and fully inhabited these historical figures to whom Henry has given sparkling new life.
  • The Thought Doesn't Count
    31 Mar. 2018
    In this short play, Hageman takes us on a nutshell of a journey with a young(ish) couple as they finally explore their grief with the help of a sock monkey and some lovely, sparkling dialogue. It's beautiful to see a play that, while still dealing with tragedy and sadness, truly comes from a place of love. Hageman's dialogue is snappy and fun, giving a wry realism to her two characters. Highly recommended for any short play festival.
  • Once Upon a Line
    5 Dec. 2017
    Not only has Bohannon given us a fun two-hander full of snappy banter about fandom and literary tastes, but she also illuminates the fears and hopes of these two young men who are dragging their feet on the path to inevitable adulthood as they literally shuffle through the line for the final Harry Potter book. This is a great selection for a college one act festival.

Pages