Marisela Treviño Orta is an accidental playwright. Originally from Lockhart, Texas, she found her way to the genre while completing an MFA in Writing at the University of San Francisco (USF) where she studied poetry exclusively. While a student at USF, Marisela became the Resident Poet of El Teatro Jornalero!, a social justice theatre company comprised of Latinx immigrants.
Marisela’s first play BRAIDED SORROW (2008 Su Teatro world premiere) won the 2006 Chicano/Latino Literary Prize in Drama and the 2009 Pen Center USA Literary Award in Drama. Her other plays include: A GIRL GROWS WINGS (2024 Latino Theater Company and Organización Secreta Teatro Bi-National world premiere); A PLACE TO BELONG (2018 ACT young Conservatory world premiere); AMERICAN TRIAGE (2012 Repertorio Español Nuestras...
Marisela Treviño Orta is an accidental playwright. Originally from Lockhart, Texas, she found her way to the genre while completing an MFA in Writing at the University of San Francisco (USF) where she studied poetry exclusively. While a student at USF, Marisela became the Resident Poet of El Teatro Jornalero!, a social justice theatre company comprised of Latinx immigrants.
Marisela’s first play BRAIDED SORROW (2008 Su Teatro world premiere) won the 2006 Chicano/Latino Literary Prize in Drama and the 2009 Pen Center USA Literary Award in Drama. Her other plays include: A GIRL GROWS WINGS (2024 Latino Theater Company and Organización Secreta Teatro Bi-National world premiere); A PLACE TO BELONG (2018 ACT young Conservatory world premiere); AMERICAN TRIAGE (2012 Repertorio Español Nuestras Voces Finalist); DECEMBER (2025 Alley Theatre world premiere); GHOST LIMB (2017 Brava Theatre world premiere); HEART SHAPED NEBULA (2015 Shotgun Players world premiere); NIGHTFALL (2021 Audible.com); RETURN TO SENDER (2019 Nashville Children’s Theatre world premiere); SHOE (2019 Kendeda/Alliance Finalist); SOMEWHERE (2020 Temple University world premiere); and WOMAN ON FIRE (2016 Camino Real Productions world premiere).
In 2011, she began writing her cycle of grim Latinx fairy tales—fairy tales for adults inspired by Latinx mythology and folklore which include: THE RIVER BRIDE (2013 National Latino Playwriting Award Co-Winner, 2016 Oregon Shakespeare Festival world premiere); WOLF AT THE DOOR (2016 Kilroys List, 2018/2019 National New Play Network Rolling World Premiere); and THIS BEATING HEART (formerly ALCIRA).
Marisela is an alum of the Iowa Playwrights Workshop, the Playwrights Foundation’s Resident Playwright Initiative, a Playwrights’ Center Affiliated Writer, former member of the Goodman Theatre’s Playwrights Unit, an advisory board member of the Latinx Theatre Commons, and a member of the Latino Theater Company’s Circle of Imaginistas.
Currently, Marisela is writing a shadow puppet play as part of a commission for The Liberty Theatre Company. She is also writing ROSAURA, a sequel to the Spanish Golden Age Play LIFE IS A DREAM by Calderon de la Barca, as part of a commission for the Old Globe.